Generator

Where a converter stops measuring the signal and starts measuring the resistor

computed by solving, not by drawing. The quantisation floor is q/√12 and halves with every bit; the Johnson floor of a 1 kΩ source in 100 kHz is 1.266 µV and does not move. They cross at 18.80 bits. Below that the converter is the limit; above it the resistor is, and a further bit buys a more precise measurement of thermal noise. A resolution quoted without a source impedance and a bandwidth is not a resolution — which is the same sentence the instruments field makes about a probe.
Where a converter stops measuring the signal and starts measuring the resistorcomputed by solving, not by drawing. The quantisation floor is q/√12 and halves with every bit; the Johnson floor of a 1 kΩ source in 100 kHz is 1.266 µV and does not move. They cross at 18.80 bits. Below that the converter is the limit; above it the resistor is, and a further bit buys a more precise measurement of thermal noise. A resolution quoted without a source impedance and a bandwidth is not a resolution — which is the same sentence the instruments field makes about a probe.1n10n100n10µ100µ1mbitsfloor (volts rms, in a 2 V span)812162024Johnson, 1.266 µV18.80 bitsthe quantiser's floor, q/√12source1.0 kΩ at 290 Kbandwidth100 kHzits Johnson floor1.266 µVcrossing18.80 bits16 bits gives8.810 µVsolved, then checked — two floors, one axis18.80 bits at 1 kΩ

Drawn above at its default parameters, which is almost never how an essay calls it. A placement states the numbers that essay is arguing about, so the figure a reader meets is about that argument rather than about the generator — 98% of the placements on this site pass one, and the phase that raised that number from 12% found eight captions describing a figure the page was not showing.

At those defaults the edge it states is 18.80 bits at 1 kΩ — the right-hand slot of the caption strip, which on this site is never used for anything else, and which is read back out of the drawing above rather than out of the code that wrote it. It belongs to Where a signal becomes a number, which is to say a change to it is a change to lib/figures/digital.js. It takes a slider on source resistance (kΩ) with 7 settings, and every one of them has passed the same assertions as the frame above — a figure whose circuit stops doing what its caption says at any setting stops the build.

Called by 9 essays

which is the blast radius of changing it

The floor a converter sets

A converter's resolution is quoted as a number of bits, which is a property of the converter. What it can actually resolve is a property of the circuit in front of it, and the two cross: measured against the Johnson noise of a 1 kΩ source in 100 kHz of bandwidth, the quantiser is the limit up to 18.80 bits and the resistor is the limit above it. Past that crossing every further bit buys a more precise measurement of thermal noise.

Where a signal becomes a number

Six decibels a bit, and the half step blamed on it

Every converter data sheet quotes 6.02N + 1.76 dB and every bench measurement comes up short of it, which is usually explained by calling the formula an approximation. Measured one step inside full scale it agrees to 0.15 dB at every bit count from eight to sixteen. Driven to exactly full scale the same converter loses 0.83 dB at eight bits — because 327 of 8192 samples hit the top code, and a mid-tread converter's largest code is one step below full scale.

Where a signal becomes a number

The floor a current sets

A resistor's noise contains no current and a current's noise contains no resistance, and the two are equal when the direct voltage across the thing carrying the current is 2kT/q — 50.0 millivolts at 290 kelvin, whatever the resistance and whatever the current. It is the only boundary in this collection whose axis is a direct voltage across an element. And a forward-biased junction, which has the same dynamic resistance as some resistor, produces exactly half its noise power at every current.

The floor, which bounds from below

When a floor stops being a floor

Quantisation error is treated as noise and behaves like noise while the input crosses many levels. As the amplitude falls it stops: measured at the bins its harmonics occupy, the share of the error's power sitting in harmonics of the input rises from 0.29% at 230 levels to 76% at 1.3. The floor has not moved. It has become a distortion product locked to the signal, and the fix is to add noise on purpose — one whole least significant bit, and no more.

Where a signal becomes a number

One bit, and where the noise went

Sampling faster spreads a fixed quantity of quantisation noise over a wider band, so the part inside the band of interest falls by 3.01 dB for every doubling — half a bit. Putting the quantiser inside a loop with an integrator does something different in kind: measured on a modulator marched forward one sample at a time, with its test tone inside the band the ratio is quoted over, the in-band noise falls by 8.99 dB per doubling. At an oversampling ratio of 128, one bit is worth 9.18 — and the octaves scatter by a decibel each, which is the loop telling the truth about what its error is made of.

Where a signal becomes a number

The total that has no resistor in it

A larger resistor is noisier and makes a narrower filter, and the two dependences are exactly reciprocal: the density goes as the square root of the resistance and the noise bandwidth as its inverse. Five decades of resistance charging one picofarad therefore give five decades of corner frequency, two and a half decades of density, and one total — 63.2762 microvolts at every one of them, which is the square root of kT over C and contains no resistance at all.

The floor, which bounds from below

A picosecond, read as bits

Every other boundary in this collection has a frequency, an amplitude or a size on its axis. This one has a duration. A converter that samples at t + δ instead of t gets a value wrong by the slope times δ, so the damage is proportional to input frequency and to nothing else about the part: ten picoseconds holds sixteen bits up to 199 kHz and twelve bits up to 3.18 MHz, falling at exactly twenty decibels a decade. An aperture figure quoted without an input frequency states no resolution at all.

Where a signal becomes a number

The loop that is worse at full scale

A second integrator in a one-bit loop takes the shaping law from nine decibels an octave to fourteen, and a third to nineteen. What it charges is not in decibels at all: past six tenths of full scale the ratio starts falling, and a fourth integrator's states run away at seven tenths. The best input to a second-order modulator is 0.6 of the reference it is measured against — an amplitude boundary of exactly the kind this collection is built for, on the one object in the field that has no continuous output to draw.

Where a signal becomes a number

A floor, or a line

Two clocks with identical two-picosecond jitter sample the same sinusoid, and the total error power is the same to a tenth of a decibel — the closed form the rung below computed, right for both. One of them puts that error across two thousand bins at −120 dB each; the other puts it into two lines at −91.5. The gap is the processing gain, it grows with the record length because a density falls and a line does not, and nothing in a specification quoted in picoseconds root-mean-square distinguishes the two cases.

Where a signal becomes a number

Every generator