One Sallen-Key design at 10 kΩ, and the band of impedance levels it survives
Drawn above at its default parameters, which is almost never how an essay calls it. A placement states the numbers that essay is arguing about, so the figure a reader meets is about that argument rather than about the generator — 98% of the placements on this site pass one, and the phase that raised that number from 12% found eight captions describing a figure the page was not showing.
At those defaults the edge it states is inside 0.1 dB from 31.6 Ω to 31.6 kΩ — the right-hand slot
of the caption strip, which on this site is never used for anything else, and which is read
back out of the drawing above rather than out of the code that wrote it.
It belongs to Filters, measured not tabulated, which is to say a change to it is a
change to lib/figures/filters.js.
It takes a slider on impedance scale factor, from a 10 kΩ design with 7 settings,
and every one of them has passed the same assertions as the frame above — a figure whose
circuit stops doing what its caption says at any setting stops the build.
Called by 4 essays
which is the blast radius of changing it
The same filter a thousand times larger
Multiply every resistance by a thousand and divide every capacitance by a thousand and the response does not change — not approximately, but to a part in ten to the fifteenth, which is the last bits of a double. So a designer has a free parameter that the design says nothing about, and what decides it is the two quantities that refuse to scale: fifty ohms of amplifier output resistance at one end and two picofarads of stray at the other. Between them the realisation survives over three decades of impedance level and nowhere else.
The band that closes with the order
One Sallen-Key section is inside a tenth of a decibel of its own design over three decades of impedance level, bounded below by fifty ohms of amplifier output resistance and above by two picofarads of stray. Give it three more sections and the band is one decade; give it four and there is no impedance level at all that meets a tenth of a decibel. Every section brings three more nodes each carrying their own stray and one more amplifier carrying its own output resistance, so the floor rises with the order until it crosses the tolerance — a boundary in the order rather than in the impedance.
The digits the arithmetic did not have
The rung below bounded this site's own arithmetic and found two boundaries it could not attribute: a bridge with no correct figures left at an imbalance of 10⁻¹⁵, and a filter synthesis that stalls at order 14. An ill-conditioned problem stays ill-conditioned however many digits are used, and a well-conditioned one computed badly gets better — so adding digits is the experiment that tells them apart. The bridge's loss is entirely the arithmetic's. The synthesis's is mostly the data's, and doubling the digits makes it worse.
The floor that outlives the arithmetic
A band of impedance levels is what a tolerance allows; a floor is what a structure has. Measured at six orders, a doubly terminated ladder's floor rises as the 1.06 power of the order and would not reach a tenth of a decibel until order thirty-two — an order nobody builds. What stops the sweep is neither the structure nor the parasitics: the continued fraction that turns a reflection polynomial into element values loses its leading coefficients to cancellation and stalls at order nine for a Butterworth and fourteen for a Chebyshev.