What 10 ps of aperture jitter is worth, in bits
Drawn above at its default parameters, which is almost never how an essay calls it. A placement states the numbers that essay is arguing about, so the figure a reader meets is about that argument rather than about the generator — 98% of the placements on this site pass one, and the phase that raised that number from 12% found eight captions describing a figure the page was not showing.
At those defaults the edge it states is 16 bits ends at 199 kHz — the right-hand slot
of the caption strip, which on this site is never used for anything else, and which is read
back out of the drawing above rather than out of the code that wrote it.
It belongs to Where a signal becomes a number, which is to say a change to it is a
change to lib/figures/digital.js.
It takes a slider on aperture jitter (ps rms) with 7 settings,
and every one of them has passed the same assertions as the frame above — a figure whose
circuit stops doing what its caption says at any setting stops the build.
Called by 3 essays
which is the blast radius of changing it
What gets through from the rail
A regulator's job is to hold its output still while its input moves, and the measurement says it does that well at ten hertz, badly at a kilohertz, and not at all at ten kilohertz — where this one puts out 1.9 times what arrives. Then the same netlist with one node moved, the same loop gain and the same 46.5 degrees of margin, rejects 60.009 decibels better at every frequency in six decades. The sixty decibels is the pass device's own intrinsic gain and it is not a design choice.
A picosecond, read as bits
Every other boundary in this collection has a frequency, an amplitude or a size on its axis. This one has a duration. A converter that samples at t + δ instead of t gets a value wrong by the slope times δ, so the damage is proportional to input frequency and to nothing else about the part: ten picoseconds holds sixteen bits up to 199 kHz and twelve bits up to 3.18 MHz, falling at exactly twenty decibels a decade. An aperture figure quoted without an input frequency states no resolution at all.
A floor, or a line
Two clocks with identical two-picosecond jitter sample the same sinusoid, and the total error power is the same to a tenth of a decibel — the closed form the rung below computed, right for both. One of them puts that error across two thousand bins at −120 dB each; the other puts it into two lines at −91.5. The gap is the processing gain, it grows with the record length because a density falls and a line does not, and nothing in a specification quoted in picoseconds root-mean-square distinguishes the two cases.