3 quarter-wave sections between 50 Ω and 200 Ω
Drawn above at its default parameters, which is almost never how an essay calls it. A placement states the numbers that essay is arguing about, so the figure a reader meets is about that argument rather than about the generator — 98% of the placements on this site pass one, and the phase that raised that number from 12% found eight captions describing a figure the page was not showing.
At those defaults the edge it states is 68% of band, from 3 sections — the right-hand slot
of the caption strip, which on this site is never used for anything else, and which is read
back out of the drawing above rather than out of the code that wrote it.
It belongs to Lines, where a wire has a length, which is to say a change to it is a
change to lib/figures/lines.js.
It takes a slider on quarter-wave sections with 5 settings,
and every one of them has passed the same assertions as the frame above — a figure whose
circuit stops doing what its caption says at any setting stops the build.
Called by 3 essays
which is the blast radius of changing it
Several sections, and the band they buy
A quarter-wave transformer is exact at one frequency, and a 4:1 transformation holds |Γ| under 0.1 over 17.1% of it. Several sections whose reflections cancel over a band take that to 47.7, 67.9, 82.1 and 92.6% — which is filter design with the reflection as the shaped quantity. An equal-ripple design found by minimax search buys a further 35 to 46% at the same worst reflection, and its ripples come out level to four decimals.
The number that was wrong
An earlier figure printed 97.3 per cent of band for a five-section transformer where the answer is 134, said in its own text that the figure was wrong, and blamed a search that had converged to eight digits. The search was fine. The objective was the worst of a grid rather than the worst of a band, the band was then measured by bisecting a function that crosses its threshold five times, and the check guarding all of it passed — because 97.3 is still more than 92.6.
The match with no upper edge
A stepped quarter-wave transformer is a band-pass in disguise: at twice its design frequency every section is half a wavelength and transparent, and a 50-to-200 Ω match reflects the bare 0.600 again. Let the steps multiply over a fixed length and the staircase of n steps returns the mismatch at n·f₀; in the limit the upper edge has gone, and what is left is a taper — a high-pass match. An exponential taper half a wavelength long is 0.019 at f₀ and never above 0.131 past 1.6f₀. The Klopfenstein profile, the Chebyshev design's continuous limit, holds 0.050 from 1.1f₀ up, needs half the exponential's length for |Γ| ≤ 0.1 and an eighth of it for 0.02, and is not continuous: it starts with a step from 50 to 52.6 Ω. And the small-reflection formula that defines all of them as a Fourier transform overstates a 10:1 taper's reflection by 41% — the line gives tanh of it.