Johnson noise — the series
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The floor a resistor sets
A kilohm at room temperature produces 4.00 nanovolts per root hertz, and it does so because it is warm rather than because of anything about how it was made. That is the first boundary in this collection that bounds a model from below — gain does not help, because gain amplifies it too — and it is the only field here whose figures are samples.
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The loss in front, counted twice
A decibel of cable before an amplifier costs a decibel of signal, which everybody expects, and a decibel of noise figure, which is a separate decibel arriving from a separate place. Measured across the slider it is exact: 1.31 dB of chain noise figure becomes 2.31 with one decibel of cable and 9.31 with eight, every time, while the 8.70 dB that stage ordering is worth does not move at all. A lossless reactive network in the same position costs nothing, because only the real part of an impedance is warm.
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The resistor the noise comes from
Two identical 1.59 kΩ resistors in one third-order filter contribute 60.0 and 40.0 per cent of its output noise, because a resistor's noise is filtered by everything after it and by nothing before it. Solved one resistor at a time, the rule everybody carries — the resistance in the noise bandwidth — comes out 1.551 times the truth on a seventh-order Chebyshev and 0.791 times on a sixth-order Bessel. It is wrong in both directions on the same axis, so no factor repairs it.
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Only the real part is warm
Johnson's 4kTR is the special case of a statement about impedances: the noise across any passive two-terminal in equilibrium is 4kT·Re{Z}, so a reactance contributes nothing however large it is. That turns a modelling convenience into a noise figure. A 100 nF capacitor of loss tangent 0.02 written as 3.183 Ω in series and as 7.958 kΩ across it — the pair that converts exactly at 10 kHz — gives 0.226 and 10.10 nV/√Hz at 100 Hz, 33 dB apart, and 40 dB apart the other way at a megahertz.
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The floor that is only a floor while nothing flows
Johnson noise depends on a resistance and a temperature and on nothing else, which is what makes it a floor. A real resistor has a second generator that depends on how it was made and on the voltage across it: 0.1 µV per volt per decade for a metal film, rising as 1/√f. On 100 kΩ with 10 V across it the two are equal at 271 Hz, and the crossover moves with the SQUARE of the voltage — 0.678 Hz at half a volt, 2.44 kHz at thirty. Splitting the same total resistance into eight parts in series divides the excess by exactly √8 and leaves the Johnson noise where it was.
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Which way the noise goes
Two warm resistors joined together each drive the other, and the net flow is 4kΔT·R₁R₂/(R₁+R₂)² per hertz. At the match that is kΔT exactly — 1.5187 zeptowatts per hertz between 400 K and 290 K — and a kilohm pair and a gigohm pair at the same two temperatures exchange the same, which is why noise is quoted as a temperature. At one temperature the net is zero at every ratio to a part in 10³⁷, and that zero is the second law rather than a tolerance.
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The noise a pad adds is its temperature
A matched resistive pad of loss L at physical temperature T presents a noise temperature of Tₛ/L + T(1 − 1/L) at its output, for a source at Tₛ,, and summing its four resistors' Johnson noise to the open output confirms it to nine figures. Referred to its input its own noise is (L − 1)·T — 288.6 K at 3 dB, 28,710 K at 20 dB — so its noise figure in decibels is its loss in decibels at 290 K, which Friis states from the definition and the resistors reach by themselves. At its output a pad can never add more than its own temperature: cooled to 4 K, a 20 dB pad adds 3.96 K there, and still 396 K referred to its input. Most of a heavy pad's noise is made in its last resistor — 82.6% at 20 dB. And set between a 400 K source and a 290 K load, a pad stops the net flow of noise power at a temperature that depends on its loss, or, below 1.40 dB, at none.
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The end a lossy line looks like
A line running from room temperature into a 4 K stage is a chain of pads, each at its own temperature, and its noise at the cold end is each piece's emission attenuated by everything after it. Cut into forty pads along a linear gradient, a 20 dB line fed from a 300 K source delivers 67.7 K to the cold end, where the continuous closed form says 67.63; its cold half supplies 46.7 K of that and its warm half 18.0. Read from the warm end, the same line's own noise is 184 K at 10 dB against 89.7 at the cold: a lossy line looks like the end it is read from. And twenty decibels placed as one attenuator at the 4 K stage deliver 6.96 K, where at room temperature they deliver 300.