Circuit Response
every model has an edge, and the figure carries it
Series

Quantisation — the series

4 essays on one idea, from the one that introduces it to the one that assumes the rest.
  1. Where a converter stops measuring the signal and starts measuring the resistor. computed by solving, not by drawing. The quantisation floor is q/√12 and halves with every bit; the Johnson floor of a 1 kΩ source in 100 kHz is 1.266 µV and does not move. They cross at 18.80 bits. Below that the converter is the limit; above it the resistor is, and a further bit buys a more precise measurement of thermal noise. A resolution quoted without a source impedance and a bandwidth is not a resolution — which is the same sentence the instruments field makes about a probe.

    The floor a converter sets

    A converter's resolution is quoted as a number of bits, which is a property of the converter. What it can actually resolve is a property of the circuit in front of it, and the two cross: measured against the Johnson noise of a 1 kΩ source in 100 kHz of bandwidth, the quantiser is the limit up to 18.80 bits and the resistor is the limit above it. Past that crossing every further bit buys a more precise measurement of thermal noise.

    part 1 · digital
  2. 6.02 bits + 1.76 dB, measured — and the overload that is blamed on it. computed by solving, not by drawing. A coherent sinusoid is quantised and the ratio is read off the error sequence, never from the formula. One step inside full scale the two agree to 0.15 dB at every bit count from 8 to 16. Driven to exactly full scale the same converter measures 0.83 dB worse at 8 bits when driven to exactly full scale, and the reason is in the count beside it: 327 of 8192 samples hit the top code. A mid-tread converter's largest code is one step below full scale, so a sinusoid that reaches full scale is already overloading — half a step of overload, at the peak, where the error correlates with the signal. The loss halves with every bit for the same reason the clipped count does — 0.83, 0.47, 0.21, 0.06, -0.13 dB — and by sixteen bits it is inside the measurement's own scatter. The formula was never the approximation.

    Six decibels a bit, and the half step blamed on it

    Every converter data sheet quotes 6.02N + 1.76 dB and every bench measurement comes up short of it, which is usually explained by calling the formula an approximation. Measured one step inside full scale it agrees to 0.15 dB at every bit count from eight to sixteen. Driven to exactly full scale the same converter loses 0.83 dB at eight bits — because 327 of 8192 samples hit the top code, and a mid-tread converter's largest code is one step below full scale.

    part 2 · digital
  3. The amplitude at which a converter's floor becomes distortion. computed by solving, not by drawing. The quantisation error is transformed and the power in harmonics of the input is measured directly, at the bins those harmonics occupy. Undithered, the share rises from 0.29% at 230 levels to 76.5% at 1.3: the error has stopped being spread and has become a deterministic staircase locked to the signal. The sweep is drawn against the levels the input uses rather than against volts because it is then the same sweep for every converter — a twelve-bit part and a sixteen-bit part agree here to 0.0e+0, so what decides the character of the error is how many levels the signal crosses and not how many the converter owns. With 1 least significant bit of dither the share stays under 0.34% at every amplitude, for 3.03 dB of signal to noise. Adding noise to a converter's input improves what comes out of it, which is true and sounds like it should not be — and the amount is one whole step, not "some": a quarter of a step leaves 52.7% and a half leaves 25.6%, because a dither smaller than a step cannot make the quantiser cross one.

    When a floor stops being a floor

    Quantisation error is treated as noise and behaves like noise while the input crosses many levels. As the amplitude falls it stops: measured at the bins its harmonics occupy, the share of the error's power sitting in harmonics of the input rises from 0.29% at 230 levels to 76% at 1.3. The floor has not moved. It has become a distortion product locked to the signal, and the fix is to add noise on purpose — one whole least significant bit, and no more.

    part 3 · digital
  4. A whole number of steps: 1, 2, 3 and 4 agree to 7% and a step and a half is 1.9× worse. computed by solving, not by drawing. The upper panel is the share of the quantisation error sitting in harmonics of the input against the amount of dither added — the upper curve the largest share anywhere on the amplitude sweep, with the spread across the five tones each point averages drawn as a bar, and the lower curve that sweep's mean. Undithered the worst is 76.5 per cent. It falls steeply up to one whole step (4.70 per cent at three quarters, 0.34 at one) and then stops improving — but only AT whole steps. The sweep means at 1, 2, 3, 4 steps are 0.283, 0.297, 0.297, 0.301 per cent, flat to 7 per cent; at 1.5, 2.5, 3.5 they are 0.526, 0.345, 0.311, each above both whole steps beside it. The lower panel is what each costs in signal-to-noise ratio, with 10·log₁₀(1 + L²) drawn through it — the measurement is that curve to 0.118 dB everywhere, so the price is known in advance and only the benefit has to be measured. The choice is a corner and a comb: nothing here is minimised, something stops improving, and between the places where it has stopped it is worse again.

    The dither that is a decision

    One whole least significant bit is quoted everywhere as the dither, which makes a decision look like a constant. Swept, the axis is a corner and a comb. An eighth of a step leaves 64.5 per cent of the error locked to the signal and one whole step leaves 0.34; above that the sweep mean is 0.283, 0.297, 0.297 and 0.301 per cent at one, two, three and four steps and 0.526 at a step and a half, which fails at exactly the small amplitudes dither exists for. The price is 10·log₁₀(1 + L²) to 0.118 of a decibel, and four steps cost 12.41 for nothing.

    part 4 · digital

All series