What the summing junction of an inverting amplifier actually is, at 1.00 MHz of gain–bandwidth
Drawn above at its default parameters, which is almost never how an essay calls it. A placement states the numbers that essay is arguing about, so the figure a reader meets is about that argument rather than about the generator — 98% of the placements on this site pass one, and the phase that raised that number from 12% found eight captions describing a figure the page was not showing.
At those defaults the edge it states is 1% of the input resistor by 995 Hz — the right-hand slot
of the caption strip, which on this site is never used for anything else, and which is read
back out of the drawing above rather than out of the code that wrote it.
It belongs to Feedback, and the margin, which is to say a change to it is a
change to lib/figures/feedback.js.
It takes a slider on gain–bandwidth (kilohertz) with 6 settings,
and every one of them has passed the same assertions as the frame above — a figure whose
circuit stops doing what its caption says at any setting stops the build.
Called by 3 essays
which is the blast radius of changing it
The node that is at ground for a while
An inverting amplifier's summing junction is held at ground by the loop, so it is at ground exactly as well as the loop is strong. Driven with a current and measured, it is a tenth of an ohm at direct current, ten ohms at a kilohertz, and 909 ohms above a megahertz — which is the two feedback resistors in parallel, with the amplifier contributing nothing.
The resistor that buys the margin back
Two point two nanofarads takes a unity-gain inverter's phase margin from ninety degrees to thirty. Ten ohms between the amplifier and the load restores forty-five, twenty-three restores sixty, and it works for a reason that reads as a cheat: the feedback is taken from the wrong side of the resistor, so its pole is outside the loop. Take the feedback from the load instead — which is what anyone controlling the load would do — and the same resistor makes every value worse. What it costs is that the loop no longer regulates the load's node at all: ten ohms is one per cent of error into a kilohm, at direct current, uncorrected.
The current the instrument draws
Every amplifier in this collection has had inputs that take no current, and that is not an idealisation of a small quantity — it is an idealisation of one whose size is decided by something outside the part. Fifty nanoamps is nothing until it flows in a megohm, and then it is fifty millivolts. The classical cure balances the two resistances and removes the bias current, leaving the offset current: worth a factor of ten, not a thousand, and it costs forty per cent of the noise density to get.