Circuit Response
every model has an edge, and the figure carries it
Concept

Image rejection — where it appears

How far a reconstruction leaves the unwanted copies of a spectrum below the wanted one. For a held converter it is the ratio of one sinc at the signal's frequency to the same sinc at the image's, which is large at the bottom of the band and exactly zero at the top of it.

Named by 2 essays across one field — each of them below, with the objects they name alongside it.

The images a zero-order hold leaves, at 0.222 of the sample rate. computed by solving, not by drawing. A 10.67 kHz tone held at 48 kHz, with every line read out of a transform of the staircase itself. The sampled spectrum repeats at every multiple of the clock and the hold multiplies all of it by one sinc, so each image survives scaled by the sinc at its own frequency: the fundamental at -0.72 dB, the largest image (1fs−f, 37.3 kHz) at -11.60 dB, which is 10.88 dB of rejection. The sinc's nulls are exactly at the multiples of the clock and the two first-order images straddle the first of them without touching it — so the hold's rejection is 25.6 dB for a tone at 0.05 fs and 1.74 dB for one at 0.45, falling to nothing at half the clock. Measured and closed form agree to 0.026%.

The nulls are where nothing is

A zero-order hold multiplies the whole repeated spectrum by one sinc, so it attenuates every image at the image's own frequency and its nulls land exactly on the multiples of the clock. Nothing is ever at a null: the two first-order images straddle it, and the closer the signal comes to half the clock the closer they come to each other. The hold gives 25.6 dB of image rejection to a tone at a twentieth of the clock, 1.74 dB at 0.45 of it, and nothing at all at half — which is the frequency the band most needs it at.

digital · Reconstruction What flatness costs, in the two places it can be bought. computed by solving, not by drawing. The hold's sinc across a band ending at 0.40 of the sample rate, and the same sinc with a one-zero one-pole shelf fitted to its reciprocal over that band. The droop to be removed is 2.420 dB. Corrected digitally the band comes flat exactly and the flat level sits 2.420 dB below what the uncorrected converter gave at direct current, because nothing may exceed full scale — the price is the disease. Corrected in analogue the band comes flat to 0.2308 dB and the shelf is still rising where the images are, so the worst image at 0.60 fs comes up by 3.799 dB, which is 1.57 times the droop it removed — and that boost is between 3.4 and 4.7 dB at every band on the slider, while the droop it cures runs from 0.58 to 3.75. Neither correction changes the signal-to-noise ratio, because the droop never cost any.

Flatness, and the two currencies it is bought in

The hold's droop takes the signal and everything arriving with it down together, so it costs no signal-to-noise ratio at all — a fact that is never stated and settles what correcting it can possibly be worth. Corrected digitally the price is headroom and is exactly the disease: 2.42 dB of flatness for 2.42 dB of output level. Corrected by an analogue shelf the price is image rejection and is nearly a constant: between 3.4 and 4.7 decibels whatever the band, so it is eight times the droop at a fifth of the clock and nine tenths of it at forty-nine hundredths.

digital · Reconstruction

Named alongside it

The objects these essays reach for when they reach for this one.

ReconstructionZero-order holdAnti imaging filterDesign tradeoffHeadroomPre emphasisSample rateSignal-to-noise ratioVerification

All concepts