Zero-order hold — where it appears
Named by 4 essays across one field — each of them below, with the objects they name alongside it.
The staircase on the way out
A converter does not emit impulses. It holds each sample for a whole clock period, which is a convolution with a rectangle and therefore a multiplication by a sinc — 0.14 dB down at a tenth of the sample rate, 0.91 at a quarter, and 3.92 at half, which is exactly 20 log(2/π). Nobody chose that droop and it is nearly eight times the half-decibel ripple of a Chebyshev passband. Measured on the transform of the staircase itself, it agrees with the closed form to 0.008%.
The nulls are where nothing is
A zero-order hold multiplies the whole repeated spectrum by one sinc, so it attenuates every image at the image's own frequency and its nulls land exactly on the multiples of the clock. Nothing is ever at a null: the two first-order images straddle it, and the closer the signal comes to half the clock the closer they come to each other. The hold gives 25.6 dB of image rejection to a tone at a twentieth of the clock, 1.74 dB at 0.45 of it, and nothing at all at half — which is the frequency the band most needs it at.
Flatness, and the two currencies it is bought in
The hold's droop takes the signal and everything arriving with it down together, so it costs no signal-to-noise ratio at all — a fact that is never stated and settles what correcting it can possibly be worth. Corrected digitally the price is headroom and is exactly the disease: 2.42 dB of flatness for 2.42 dB of output level. Corrected by an analogue shelf the price is image rejection and is nearly a constant: between 3.4 and 4.7 decibels whatever the band, so it is eight times the droop at a fifth of the clock and nine tenths of it at forty-nine hundredths.
One knob, and the two exponents it turns
Oversampling is quoted as buying one thing and buys two that improve at different rates. The hold's droop at the band edge falls with the SQUARE of the ratio — fitted exponent −2.011 over six doublings, from 2.640 dB at the Nyquist rate to 0.0097 at sixteen times it — while the nearest image moves out with the first power, exponent 1.022. The third quantity, the poles a reconstruction filter needs for sixty decibels, collapses from 20.5 to 3.21 by a ratio of four alone, because it is a logarithm of the second.
Named alongside it
The objects these essays reach for when they reach for this one.
ReconstructionAnti imaging filterDesign tradeoffImage rejectionSample rateFilter orderGroup delayHeadroomOversamplingPhase linearityPower law fitPre emphasis