Circuit Response
every model has an edge, and the figure carries it
Field

Filters, measured not tabulated

Butterworth is flat, Chebyshev is steep, Bessel has good delay. None of those is a number. Each family's poles are computed from its definition, built as a network, and then the ripple, the skirt, the delay variation and the ringing are measured on the network that results.
Three filter families at order 5, all with the same half-power point. At three times the corner the Chebyshev is -64.0 dB down, the Butterworth -47.7 dB and the Bessel -28.3 dB. The inset is the passband at forty times the vertical magnification, which is the only place the Chebyshev's half-decibel of ripple is visible at all.

Three families, one corner

Butterworth is flat, Chebyshev is steep, Bessel has good delay. None of those is a number, so the table they appear in cannot answer the question anybody has. Here each family's poles are computed from its definition, built as an actual network, and then measured — starting with the step every comparison skips.

 What each family costs, at order 5. Measured on the solved networks. The Chebyshev is 36 dB further down at three times the corner than the Bessel, and pays for it in delay: its group delay varies 49.0% across the passband against the Bessel's 0.06%.

What a steep skirt costs

A filter's order buys attenuation at a known rate — twenty decibels per decade per pole, and no arrangement of components changes it. What varies between families is how quickly the slope is reached, and the currency it is paid for in is delay: the steepest of the three distorts delay eight hundred times more than the gentlest.

 Group delay across the passband, at order 5. The Bessel filter's delay varies 0.1% below 0.8 of the corner; the Chebyshev's peaks near the band edge and is several times its low-frequency value. Every family here has the same half-power frequency, so this is a difference in behaviour rather than in scaling.

Flat magnitude, unflat delay

A filter that passes every frequency in its band at the right amplitude and the wrong time has not passed the signal. Group delay is the measurement that says so, it is absent from the classical comparison, and it varies by fifty per cent across the passband of the two families everybody uses.

 Four families at order 5, and the 2 zeros in the stopband. computed by solving, not by drawing. The elliptic design is drawn at a selectivity of 0.8, so its stopband is asked to begin at 1.250 times the corner, and the degree equation returns 38.68 dB for it at 0.5 dB of ripple. From the stopband edge outward the elliptic response never rises above -38.7 dB; the steepest all-pole family of the same order is only -19.0 dB down there and does not reach -38.7 dB until 1.77 times the corner. That is what 2 transmission zeros buy. The price is in the same picture: the elliptic stopband has a floor and an all-pole one does not, so beyond 2.0×fc the all-pole response is the lower of the two and keeps going.

The zeros that buy an order

Butterworth, Chebyshev and Bessel all fall because their denominator grows, so the only way to make one fall faster is another pole. An elliptic filter puts zeros in the stopband instead, and reaches forty decibels at twice the corner with two poles where the steepest all-pole family needs five. What it charges is a stopband that stops falling — measured here at −38.7 dB, and overtaken by an ordinary Chebyshev two corners out.

 One per cent on one component, in two realisations of the same order-5 filter. computed by solving, not by drawing. The two realisations agree to 3e-14 dB before anything is moved. Moving each element in turn by 1%, the worst deviation at the 2 ripple peaks is 0.1621 dB for the cascade and 0.0030 dB for the LC ladder — 54 times smaller. Across the whole passband the two are within 3% of each other, because near the band edge both are dominated by the response's own steepness rather than by the realisation.

A ladder is not a cascade

The same fifth-order Chebyshev, built two ways. A one per cent component moves the buffered cascade's passband by 0.162 dB at the ripple peaks and the doubly terminated LC ladder's by 0.003 dB — fifty-four times less. The number is not the claim: the claim is the exponent. Fitted over two decades of tolerance the cascade's error grows as the 0.99 power and the LC ladder's as the 2.00 power, because at maximum power transfer the response is stationary in every element it contains.

 A fifth-order chebyshev delay, and 1 all-pass section in front of it. computed by solving, not by drawing at 60 frequencies across the passband. The delay varies by 891 µs from end to end; 1 all-pass section, with pole pair found by search rather than taken from a table, brings that to 498 µs — a factor of 1.79. The price is that everything is later: 722 µs more at direct current, which is more than the 392 µs of variation removed.

Flat delay, bought with more delay

An all-pass section has a magnitude of one at every frequency — measured here on a solved network as 1 to within 9 × 10⁻¹⁶ over six decades — which makes it the only thing that can change a filter's delay without touching its magnitude response. It flattens by adding. A fifth-order Chebyshev's 891 microseconds of delay variation comes down to 498, and everything leaves 722 microseconds later than it did.

 What a mistuned arm leaves at 1300 Hz. computed by solving, not by drawing. Neither curve is the null's depth — the null is still bottomless, it has simply moved — but the depth at the frequency the notch was designed for, which is the number a filter is bought for. One per cent components leave -32.9 dB if both errors go the same way and -78.8 dB if they oppose, a factor of 197 from the same tolerance on the same two parts. The slopes are 20.0 and 40.0 decibels per decade: first order in the error on the product LC, second order in the error on the impedance level.

What actually fills a null

A ten per cent error in the two components of a notch's arm leaves the null three hundred decibels deep — it moves it rather than filling it. What fills it is loss, at twenty decibels per decade of arm resistance exactly. And the depth at the frequency the notch was designed for splits into two orders depending on which way the two errors go: one per cent parts leave 79 decibels one way and 33 the other.

 An order-5 ladder driven from 2× the resistance it was designed between. computed by solving, not by drawing. A doubly-terminated Butterworth ladder is a two-port designed between two stated resistances, and the resistances are part of the design rather than the environment it happens to be used in. At match it loses 6.021 dB — exactly half the voltage — and its passband has no peak anywhere in it. Driving the same five reactances from 2× that resistance moves the shape by 2.345 dB and the insertion loss to 9.542 dB. The band inside which the shape is right to 0.5 dB runs 0.8857× to 1.1371× — a window of 25 per cent on a quantity usually written down as a round number. And the two sides are not alike: at twenty times the design resistance the departure has settled at 5.33 dB, while at a twentieth of it the passband is 15.51 dB out with 7.21 dB of peaking on it, so driving a ladder from too low an impedance is worse than driving it from too high a one.

The two resistors a ladder was designed between

A passive ladder filter is not a transfer function with some resistors attached; it is a two-port designed between two stated resistances, and the resistances are as much part of the design as the inductors. Driving an order-five Butterworth from anything outside 0.886 to 1.137 times its design resistance puts more than half a decibel of error on the passband — a tolerance tighter than the resistor is usually specified to — and the two sides of that window are not alike.

 One Sallen-Key design at 10 kΩ, and the band of impedance levels it survives. computed by solving, not by drawing. A 10.0 kHz unity-gain Sallen-Key section realised at seven impedance levels three decades apart, with every resistance multiplied and every capacitance divided by the same factor. The design is exactly invariant: the solved magnitudes agree to 1.0e-15 of each other across all seven and every frequency in the passband, which is the last bits of a double rather than a good approximation. The realisation is not, because two of its quantities do not scale — 50 Ω of amplifier output resistance and 2 pF of stray capacitance to everywhere — and they bind at opposite ends. Inside 0.1 dB the band runs 31.6 Ω to 31.6 kΩ, with the least departure of 0.0133 dB at 1000 Ω; at this setting it is 0.036 dB at 20.0 kHz. The consideration that does not appear on either axis is noise: the resistors' density goes as √R, so across the six decades drawn the noise moves by 1000 times and points at the low end of the band.

The same filter a thousand times larger

Multiply every resistance by a thousand and divide every capacitance by a thousand and the response does not change — not approximately, but to a part in ten to the fifteenth, which is the last bits of a double. So a designer has a free parameter that the design says nothing about, and what decides it is the two quantities that refuse to scale: fifty ohms of amplifier output resistance at one end and two picofarads of stray at the other. Between them the realisation survives over three decades of impedance level and nowhere else.

 An order-6 cascade at 10 kΩ: a band 10× wide. computed by solving, not by drawing. A 10.0 kHz unity-gain Butterworth of order 6, 3 Sallen-Key sections in cascade, realised at seven impedance levels three decades apart, with every resistance multiplied and every capacitance divided by the same factor. The design is exactly invariant: the solved magnitudes agree to 4.0e-15 of each other across all seven and every frequency in the passband, which is the last bits of a double rather than a good approximation. The realisation is not, because two of its quantities do not scale — 50 Ω of amplifier output resistance and 2 pF of stray capacitance to everywhere — and they bind at opposite ends. Inside 0.1 dB the band runs 316 Ω to 3.16 kΩ, with the least departure of 0.0763 dB at 1000 Ω; at this setting it is 0.182 dB at 12.9 kHz. The consideration that does not appear on either axis is noise: the resistors' density goes as √R, so across the six decades drawn the noise moves by 1000 times and points at the low end of the band.

The band that closes with the order

One Sallen-Key section is inside a tenth of a decibel of its own design over three decades of impedance level, bounded below by fifty ohms of amplifier output resistance and above by two picofarads of stray. Give it three more sections and the band is one decade; give it four and there is no impedance level at all that meets a tenth of a decibel. Every section brings three more nodes each carrying their own stray and one more amplifier carrying its own output resistance, so the floor rises with the order until it crosses the tolerance — a boundary in the order rather than in the impedance.

 A switched capacitor is a resistor below a ratio, not below a frequency. computed by solving, not by drawing. The exact response of a capacitor shuttled between the input and a holding capacitor at 1.00 MHz — a difference equation with one pole, evaluated on the unit circle — against the continuous R–C its equivalent resistance is supposed to make. The corner is 3.15 kHz against the model's 3.18 kHz, 0.99% out, and the discrepancy is set by the capacitor ratio alone: one per cent needs a ratio under 0.0201, which is a clock 315 times the corner. The second difference has no counterpart at all — the sampled response repeats at the clock, so the image rising on the right of this plot is signal at 997 kHz arriving as though it were at the corner. The third is settling: 1 pF charged through 1 kΩ gets 500.0 time constants a half period at this clock, and being short of full charge raises the equivalent resistance by 0.000%, which puts a ceiling on the clock at 108 MHz.

A resistor made of a clock

A capacitor shuttled between two nodes at a megahertz behaves as a megohm, and a tenth of a picofarad shuttled at ten kilohertz behaves as a gigohm — which is how a filter with a one-hertz corner fits on a chip. What the equivalence costs is three conditions, and they bind on three different quantities: a capacitor ratio under 0.0201, a signal below half the clock, and a clock below the frequency at which the charge stops arriving.

 At the order a cascade runs out, a ladder still has 4.2 decades of level. computed by solving, not by drawing. How many decades of impedance level each structure can be built at while staying inside 0.1 dB of its own design, against order. Both carry two picofarads of stray at every node. The cascade also carries fifty ohms of amplifier output resistance, a fixed resistance, which binds it from below; its floor rises 8.5× over the four orders drawn, to 0.114 dB at order eight. The ladder's inductors carry a fixed resistance per henry instead — a fixed quality factor, which scales with the design and bounds nothing — so what limits it from below is a few milliohms of track, and at order nine it still has 4.20 decades with a floor of 0.0337 dB, 3.3× its own floor at order three against the cascade's 8.5×.

The band that does not close

A cascade of active sections can be built at three decades of impedance level at second order, one at sixth, and none at all at eighth — the band shuts by half a decade per order because two fixed quantities bind it from opposite ends. A doubly terminated ladder has only one of those quantities, because an inductor's loss is a fixed quality factor rather than a fixed resistance and therefore scales with the design. At order nine it still has four decades.

 The floor rises as the 1.06 power of the order, and the arithmetic gives out first. computed by solving, not by drawing. The least departure a doubly terminated ladder can achieve at any impedance level, against order — the floor, which is what is left when the tolerance the band is drawn at is taken away. It rises from 0.0087 dB at order three to 0.0389 dB at order 13, as the 1.06 power of the order, so the order at which it reaches the 0.1 dB the band is drawn at is near 32. Drawn over it are the same networks with one imperfection removed at a time, and they do not add: the winding loss alone leaves a larger departure than the complete realisation does, because the track resistance is in series with the load and lifts the passband exactly where the winding loss droops it. The stray capacitance contributes nothing at all, since the level that minimises the departure is a few ohms. What ends the sweep is neither: the continued-fraction synthesis loses its leading coefficients to cancellation and stalls at order 9 for a Butterworth and 14 for a Chebyshev.

The floor that outlives the arithmetic

A band of impedance levels is what a tolerance allows; a floor is what a structure has. Measured at six orders, a doubly terminated ladder's floor rises as the 1.06 power of the order and would not reach a tenth of a decibel until order thirty-two — an order nobody builds. What stops the sweep is neither the structure nor the parasitics: the continued fraction that turns a reflection polynomial into element values loses its leading coefficients to cancellation and stalls at order nine for a Butterworth and fourteen for a Chebyshev.

 A one-henry inductor with nothing magnetic in it, good for 3.6 decades. computed by solving, not by drawing. The impedance at the input of an Antoniou impedance converter, read as an inductance: a current source drives the node and the voltage is solved for, and the imaginary part divided by ω is what is plotted. Five components — four resistors of 10 kΩ and a 10 nF capacitor — behave as 1000 mH, which as a wound coil would be several henries of wire. It is that inductance to within one per cent from 1.00 Hz to 3.65 kHz, 3.56 decades, and the upper edge belongs to the amplifiers rather than to the arrangement: with ideal ones in the same netlist the inductance is exact everywhere drawn. Nothing in it stores energy in a magnetic field — the current lags because an amplifier is holding a capacitor's voltage somewhere else in the loop.

The inductor that is an amplifier

Four resistors and a capacitor, arranged around two amplifiers, present one henry at a node — an inductance with nothing magnetic in it, which as a wound coil would be several henries of wire. It is that inductance to within one per cent over three and a half decades, and its series resistance goes negative at 63 hertz, which is well inside the band where it is still an excellent inductor. A resonator built around it there does not have a high quality factor; it has a negative loss, and starts on its own noise.

 One component of a gyrator moves the response by 0.50; the passive ladder's inductor moves it by 3e-8. computed by solving, not by drawing. The magnitude sensitivity at the passband maximum of a gyrator ladder, against the resistance scale the gyrators are built at, for a single component and for the combination of both halves that actually changes the synthesised inductance. The passive ladder realising the identical response is at 3.2e-8. A single component sits at about a half whatever the resistance scale is, and the combination falls as one over it — the 0.97 power over 3 decades. So the stationarity has not been destroyed, it has become a statement about a combination of components rather than about a component, and independent parts do not come in combinations.

One inductor, and ten components

The rung below built an inductor out of an amplifier and ended with a boundary that is not a frequency: one end of it is soldered to ground. A ladder's series inductors are floating, so making one takes four amplifiers rather than two — and the four-amplifier version is exactly floating, to five figures, and reproduces the ladder's response to a hundredth of a decibel. It does not reproduce its stationarity. Each of a gyrator's ten components moves the response by exactly a half, where the inductor it replaced moved it by ten to the minus eight.

 A switched-capacitor low-pass driven past half its own clock. computed by solving, not by drawing. The clock is 1.00 MHz and the corner the rung below fitted is 1.59 kHz. The falling dashed curve is that continuous model, which knows nothing about a clock and goes on falling. The circles are the marched circuit, read at the frequency the output actually appears at. They part company past half the clock and by 992 kHz the model is 42.1 decibels wrong — an input just below the clock arrives just above direct current, in the middle of the passband, with the passband's own gain. The third curve is the exact discrete transfer function evaluated at the folded frequency, and it agrees with the march to 0.26 decibels, which is what says the march is measuring the folding rather than an artefact of itself.

The filter that samples

The rung below built a resistor out of a clock and measured two ways it is not one: a settling time, and a corner that is a capacitor ratio rather than an R–C product. Both are errors in a value and both get smaller as the design gets better. This is an error of a different kind — the arrangement is not a continuous system at all, and nothing below half the clock shows it. An input at 992 kilohertz arrives at 7.8 kilohertz with the passband's own gain, where the continuous model the rung below fitted says it is 56 decibels down.

 What the accuracy costs: dynamic range against the resistance scale. computed by solving, not by drawing. The rung below found the active realisation's response converging on the passive one's as the resistance scale rises. This is the price. The floor rises as the square root of the scale — fitted at 0.500 — because the resistors are the noise. The largest internal swing rises as the scale itself — fitted at 1.012 — because each gyrator forces the inductor's own current through its own resistors, so an amplifier inside it carries that current times R. Dynamic range on a ±15 V supply therefore falls as the three-halves power: 78 dB at 100 kΩ and 18 dB at 10 MΩ. The passive ladder realising the same response has 141 dB, and its worst internal node carries 1.10 times the input.

Eight amplifiers, and what they add

The rung below realised a Chebyshev ladder out of floating gyrators and found the response converging on the passive one's as the resistance scale rises — twenty-two decibels out at ten kilohms, a twentieth of a decibel at ten megohms. It closed by naming two quantities it had not measured. They are the same quantity: the resistors that buy the accuracy are the noise, and the amplifiers inside the gyrators carry the inductor's own current through them, so the floor rises as the square root of the scale and the ceiling falls as the scale.

 An amplifier a hundred times the corner moves the unity-gain section's Q by 2.0%. computed by solving, not by drawing. A unity-gain Sallen–Key section designed for Q = 2 at 1.00 kHz, built with a one-pole amplifier, and its poles recovered by rooting the determinant. The section as drawn has two poles; as built it has three, and the pair is not where it was put. At a gain-bandwidth of a hundred times the corner — which is the rule of thumb — the quality factor is 1.97 per cent high and the pole frequency is 1.97 per cent low. The two are the same number with opposite signs over the window where the amplifier is well clear of the section and its own pole is still resolvable, and the number is the designed quality factor, 2, divided by the ratio: 2.00 per cent at 100 times the corner.

The Q the amplifier decides

A second-order section's quality factor is set by a capacitance ratio and its pole frequency by a product of four passive values, and neither expression contains the amplifier. Build it with one that has a gain-bandwidth a hundred times the corner — the usual rule — and the Q comes out 1.97 per cent high while the pole comes out 1.97 per cent low, the same number in both directions, and the number is the designed Q divided by the ratio. A fifth-order half-decibel Chebyshev built that way has 2.1 decibels of ripple.

 The "offset" a switch leaves moves by 1.863 mV across a volt of signal. computed by solving, not by drawing. The charge a switch leaves on a 1 pF hold capacitor, as the input it was sampling changes. It is W·L·C_ox·(V_gs − V_th) with the clock's high level for the gate, so it falls as the input rises for two reasons at once: less gate drive, and a threshold that rises with the source potential through the body effect. The dashed line is the part that does not know what the signal is — the clock coupling through the gate overlap capacitance, -1.649 mV — and it is the only part of this that is honestly an offset. The curve stops where the switch does: an n-channel device passes nothing within a threshold of its own gate, and the model refuses rather than returning a zero.

The offset that knows the signal

The charge a switch leaves on the capacitor it was sampling is the gate oxide capacitance times the channel area times the overdrive, and both terms in that overdrive depend on the input — one directly and one through the body effect. So the 5.67 mV a data sheet would call an offset moves by 1.86 mV across a volt of signal, which is a gain error of 0.186 per cent and only 3.4 µV of anything else. Opening the summing-node switch first divides the gain error by the amplifier's own gain, exactly, and what is left goes from twenty-nine times the sampled-noise floor to nineteen times below it.

 A half-decibel filter that meets one decibel at 25 °C and does not at 89. computed by solving, not by drawing. The passband ripple of a fifth-order 0.5 dB Chebyshev built from three Sallen–Key sections, against temperature, with a part whose gain-bandwidth at 300 K is 300 kHz against a 1 kHz corner. Not one passive component has a temperature coefficient in this model. The ripple is 0.824 dB at −40 °C and 1.049 at +125, and it crosses a one-decibel specification at 88.6 °C — a boundary in temperature, which every other edge in this collection is not. The dashed line is the same filter with a tail current proportional to absolute temperature: 0.916 dB at both ends, and no crossing anywhere.

The ripple that is a temperature

The rung below found that an amplifier a hundred times the corner leaves a section's quality factor two per cent high. That two per cent has a temperature in it: with a tail current a resistor sets, the transconductance falls as one over absolute temperature, and a fifth-order half-decibel design whose passives have no temperature coefficient at all goes from 0.82 decibels of ripple at minus forty to 1.05 at a hundred and twenty-five — crossing a one-decibel specification at 89 °C. With the other bias it does not move at all.

 At Q = 2 and a hundred times the corner, one arrangement is 1.97% out and the other 2.83%. computed by solving, not by drawing. The same second-order section designed twice — a follower with a capacitance ratio, and equal passives with the Q supplied by a closed-loop gain of 2.5000 — built with the same one-pole amplifier and swept over its gain-bandwidth, with both pole pairs recovered by rooting the determinant. The unity-gain arrangement's error is Q over the ratio: 2.00 per cent at a hundred times the corner. The equal-component arrangement's is K²/2 over the ratio, 3.13 per cent, because its amplifier is a gain-of-K stage and therefore has K times less bandwidth to spend. Below about thirty times the corner both laws fail, and the second one changes sign.

Where the Q comes from

Two second-order sections with no component value in common have the same transfer function to 1.8×10⁻¹⁰ of a decibel, and are not the same circuit. Against a slow amplifier the follower's Q error is Q over the gain-bandwidth ratio and the gain stage's is K²/2 over it — so the second is worse below Q = 3.08 and better above it. Against component tolerance the follower's worst element carries ½ and the gain stage's carries 2Q − ½, nineteen times as much at Q = 5. Neither oscillates at any gain-bandwidth at all.

 An order buys 38.7 dB at 1.25× the corner and 56.6 at 1.67×. computed by solving, not by drawing. The degree equation for an order-5 elliptic filter, swept over the two quantities a designer sets. The horizontal axis is where the stopband is required to begin; the five curves are passband ripples from 0.01 to 3 decibels. Nothing on this page is a choice: pick a ripple and a transition width and the attenuation is decided. At a half decibel of ripple, order 5 gives 38.68 dB with the stopband beginning at 1.25 times the corner and 66.09 dB with it beginning at twice — a factor of two in transition width for 27.4 decibels. The vertical spacing between the curves is the ripple's own term and is the same at every transition width: relaxing from a half decibel to three buys 9.12 dB wherever it is spent.

The selectivity that is not free

The filter trade is normally drawn with two quantities in it. It has three, and an order fixes a relation between all of them: at order five and half a decibel of ripple, a stopband asked to begin at twice the corner is worth 66.1 decibels and one asked to begin at 1.25 times is worth 38.7. The exchange is exact addition in decibels — relaxing the ripple from a half to three buys 9.12 dB wherever it is spent — and there is a fourth price nobody writes down: settling to a tenth of a per cent goes from 9.04 milliseconds to 23.23 while the overshoot does not move.

 The sign change follows the 0.51 power of the amplifier, not the inductor. computed by solving, not by drawing. Both of the arrangement's frequency boundaries against the gain–bandwidth of the two amplifiers in it, over three decades. The lower curve is the frequency at which the series resistance changes sign, bisected on the sign of the real part; the upper one is where the inductance leaves one per cent. The crossing grows as the 0.513 power of the gain–bandwidth, and the dashed prediction over it is ½√(f_c·f_p) — half the geometric mean of the arrangement's own corner r/2πL = 1.59 kHz and the amplifier's open-loop pole f_t/A₀ — which is inside one per cent while that pole is at least fifteen times below the corner and 8.7 per cent out at the top of the sweep, where it is not. The two boundaries stay between 1.61 and 2.30 per cent of one another throughout, so a faster amplifier moves the active region rather than removing it.

The boundary that improves when the part gets worse

A synthetic inductor's series resistance changes sign at 63.0 Hz with one-megahertz amplifiers, and that frequency is not a property of the inductor. It is half the geometric mean of the arrangement's own corner and the amplifier's open-loop pole — half the square root of their product, which the bisection confirms to a part in a thousand — and it therefore falls as the amplifier's direct-current gain rises, from 686 Hz at a gain of a thousand to 19.9 Hz at a million. The quantity that decides whether a resonator starts does not move at all: it is the transition frequency over four times the Q, 2.50 kHz for a tank of a hundred.

 The load alternates with parity between 1 and 1.9841, at every order. computed by solving, not by drawing. The last quotient of the continued fraction that turns a reflection polynomial into element values, which is the load resistance the design demands, drawn against order. A Butterworth returns exactly one at every order. A Chebyshev alternates: one at every odd order and 1.984056 at every even one, the same number each time, and it is the closed form (√(1+ε²)+ε)² to a part in 10¹⁵. The mechanism is in the last two rows of the panel. A lossless ladder is two resistances at direct current, so it must deliver the maximum available power there, which requires that zero be one of the frequencies the design reflects nothing at — and an even-order Chebyshev's reflection zeros are the roots of an even Chebyshev polynomial, none of which is zero. The synthesis stalls at order 9 for a Butterworth, which is why that series stops at eight.

The termination an even order cannot have

Every even-order Chebyshev ladder terminates in 1.984056 times its source resistance at half a decibel of ripple, the same number at orders two, four, six and eight, and it is (√(1+ε²)+ε)² to a part in 10¹⁵. Building one between equal terminations instead — which is what a table of g-values and a matched pair gives — turns 0.5000 dB of ripple into 1.8123 at order four, deletes one of the passband maxima outright, and moves the worst tolerance corner from the 2.000 power of the component tolerance to the 1.109 power: a factor of 95 at one per cent parts.

All essays