The noise of a 1.6 kΩ resistor through a 10.0 kHz filter
Drawn above at its default parameters, which is almost never how an essay calls it. A placement states the numbers that essay is arguing about, so the figure a reader meets is about that argument rather than about the generator — 98% of the placements on this site pass one, and the phase that raised that number from 12% found eight captions describing a figure the page was not showing.
At those defaults the edge it states is agreeing to 0.21% — the right-hand slot
of the caption strip, which on this site is never used for anything else, and which is read
back out of the drawing above rather than out of the code that wrote it.
It belongs to The floor, and what is under it, which is to say a change to it is a
change to lib/figures/noise.js.
It takes a slider on filter corner (hertz) with 5 settings,
and every one of them has passed the same assertions as the frame above — a figure whose
circuit stops doing what its caption says at any setting stops the build.
Called by 36 essays
which is the blast radius of changing it
The floor a resistor sets
A kilohm at room temperature produces 4.00 nanovolts per root hertz, and it does so because it is warm rather than because of anything about how it was made. That is the first boundary in this collection that bounds a model from below — gain does not help, because gain amplifies it too — and it is the only field here whose figures are samples.
A floor and a ceiling
Every other boundary these essays measure is a ceiling. This one puts a floor underneath and measures the distance between them — 4.00 nanovolts per root hertz at the bottom, one per cent of harmonic distortion at 1.03 millivolts at the top, and 66.3 decibels of range in a ten-kilohertz measurement. Both ends are computed, neither is on a datasheet, and the arrangement of the stages decides which one moves.
The floor a circuit has
A resistor's noise is 4kTR and there is nothing to choose about it. An amplifier adds two generators that belong to the device — 4 nV/√Hz in series with its input and 0.6 pA/√Hz across it — and because one matters most into a small source and the other into a large one, there is a source resistance at which their sum is least. It is 6.67 kΩ, it is the ratio of the two, and it is not the resistance that transfers maximum power.
The floor a current sets
A resistor's noise contains no current and a current's noise contains no resistance, and the two are equal when the direct voltage across the thing carrying the current is 2kT/q — 50.0 millivolts at 290 kelvin, whatever the resistance and whatever the current. It is the only boundary in this collection whose axis is a direct voltage across an element. And a forward-biased junction, which has the same dynamic resistance as some resistor, produces exactly half its noise power at every current.
The total that has no resistor in it
A larger resistor is noisier and makes a narrower filter, and the two dependences are exactly reciprocal: the density goes as the square root of the resistance and the noise bandwidth as its inverse. Five decades of resistance charging one picofarad therefore give five decades of corner frequency, two and a half decades of density, and one total — 63.2762 microvolts at every one of them, which is the square root of kT over C and contains no resistance at all.
The noise a clock does not make
A hundred-megohm resistor has a noise density of 1.27 microvolts per root hertz. A switched capacitor that behaves as a hundred megohms has none of it: the noise on the capacitor it charges is kT/C, with the holding capacitor in it and nothing else — not the clock, not the switched capacitor, not the on-resistance. And it is exact rather than asymptotic, at every capacitor ratio from a thousandth to ten.
The amplifier inside the sample
kT/C is exactly independent of the clock, of the capacitor ratio and of the switch resistance — two essays measured that and found it identically true rather than nearly so. The amplifier in the same loop behaves in the opposite way in every respect: its noise is white, it is sampled, and the number of times it folds into the band is exactly the number of time constants the settling needs. So the switches set the floor below sixty megahertz and the amplifier sets it above, and asking for two more bits of settling costs fifteen per cent more noise before anything else has changed.
The same filter a thousand times larger
Multiply every resistance by a thousand and divide every capacitance by a thousand and the response does not change — not approximately, but to a part in ten to the fifteenth, which is the last bits of a double. So a designer has a free parameter that the design says nothing about, and what decides it is the two quantities that refuse to scale: fifty ohms of amplifier output resistance at one end and two picofarads of stray at the other. Between them the realisation survives over three decades of impedance level and nowhere else.
Two thresholds because there is a floor
A comparator with one threshold, watching a slow signal cross it once, changes its mind 22.7 times on average and as many as 29 — because there is noise under the signal and no threshold is ever crossed once. Hysteresis fixes it, and how much is needed is a multiple of the noise's own standard deviation rather than a voltage: 3.57 of them here. The multiple grows with how long the threshold is watched, and slowly — a hundredfold longer record needs three times the hysteresis, not a hundred times.
The sample that is subtracted
Three earlier measurements found floors that no gain moves and no filter reaches, because both arrive as numbers already sampled. One of them can be subtracted: the reset level a capacitor holds is the same number in two consecutive samples and cancels exactly. What it costs is that the amplifier's own noise is not — two samples of it are independent, so its variance doubles. That is thirty times better at a megahertz, a loss above sixty, and the crossing is the one an earlier essay computed for a different question.
A resistor made of a clock
A capacitor shuttled between two nodes at a megahertz behaves as a megohm, and a tenth of a picofarad shuttled at ten kilohertz behaves as a gigohm — which is how a filter with a one-hertz corner fits on a chip. What the equivalence costs is three conditions, and they bind on three different quantities: a capacitor ratio under 0.0201, a signal below half the clock, and a clock below the frequency at which the charge stops arriving.
The loss in front, counted twice
A decibel of cable before an amplifier costs a decibel of signal, which everybody expects, and a decibel of noise figure, which is a separate decibel arriving from a separate place. Measured across the slider it is exact: 1.31 dB of chain noise figure becomes 2.31 with one decibel of cable and 9.31 with eight, every time, while the 8.70 dB that stage ordering is worth does not move at all. A lossless reactive network in the same position costs nothing, because only the real part of an impedance is warm.
What the second path costs at the floor
The arrangement that repaired a capacitively loaded amplifier was suspected of paying for itself in noise, because that is how compensations usually pay. It does not: it has no peak in its noise gain at all, and the total at the load falls from 54.9 microvolts to 28.9 as the capacitor is added. What it costs is settling, and the capacitor that is quietest is eighteen times the capacitor that settles fastest — a trade the phase margin says nothing about, because the margin is comfortable at both.
The resistor the noise comes from
Two identical 1.59 kΩ resistors in one third-order filter contribute 60.0 and 40.0 per cent of its output noise, because a resistor's noise is filtered by everything after it and by nothing before it. Solved one resistor at a time, the rule everybody carries — the resistance in the noise bandwidth — comes out 1.551 times the truth on a seventh-order Chebyshev and 0.791 times on a sixth-order Bessel. It is wrong in both directions on the same axis, so no factor repairs it.
The ceiling is not at the output
A fifth-order Chebyshev's noisiest node is its output and its largest signal is not. F0b carries 4.537 times the input, so on ±15 V the range is 142.44 decibels and not the 155.57 an instrument on the output reports. Across fifteen realised filters the output reading spans 3.97 dB and the range they actually have spans 22.34 — and one family of the three has no internal peaking at all, at any order.
The current the instrument draws
Every amplifier in this collection has had inputs that take no current, and that is not an idealisation of a small quantity — it is an idealisation of one whose size is decided by something outside the part. Fifty nanoamps is nothing until it flows in a megohm, and then it is fifty millivolts. The classical cure balances the two resistances and removes the bias current, leaving the offset current: worth a factor of ten, not a thousand, and it costs forty per cent of the noise density to get.
The ratio that does not walk to one
A single pole passes π/2 times as much noise as a brick wall at its corner, and every account of it says the ratio falls towards one as the skirt steepens. Over thirty-two realised filters only Butterworth does that. Bessel is least at order five, 1.0385, and rises again; Chebyshev alternates with parity and the two branches separate only above 0.1968 decibels of ripple; and an even-order elliptic has no noise bandwidth at all, its integral returning 380 or 38,005 depending on where it was stopped.
The bowl, and the bottom of it
An amplifier's noise figure has a minimum against source resistance and its input-referred noise has none: the 4 nV/√Hz part reads 1.138 dB into 6.67 kΩ and 10.41 dB into 100 Ω, and is 2.81 times noisier in volts at the first. The bowl is one shape scaled by its own depth, so the quieter the part the flatter it is — ±30.1 times for a decibel on the best of four, ±2.16 on the worst — and three parts of equal eₙiₙ share a floor of 0.3138 dB at optima 16 times apart.
The junction that is a resistor at zero volts
A forward-biased junction makes half the noise power of a resistor of its own dynamic resistance, and that half is a limit rather than a value. Kept with the saturation current that flows backwards across it, the ratio is one exactly at zero volts, 0.5676 at 50 millivolts, and within one per cent of the half only above 115.1 — at ninety-nine saturation currents, which is a picoampere on a small silicon diode and a microampere on a leaky one. A photodiode held at zero volts has the Johnson noise of its shunt resistance and nothing else, and it becomes shot-noise-limited at 49.981 millivolts of photocurrent drop.
Eight amplifiers, and what they add
The rung below realised a Chebyshev ladder out of floating gyrators and found the response converging on the passive one's as the resistance scale rises — twenty-two decibels out at ten kilohms, a twentieth of a decibel at ten megohms. It closed by naming two quantities it had not measured. They are the same quantity: the resistors that buy the accuracy are the noise, and the amplifiers inside the gyrators carry the inductor's own current through them, so the floor rises as the square root of the scale and the ceiling falls as the scale.
The resistor in the same loop
A resistor's noise and a junction's are equal as bare densities at 49.98 millivolts of drop, and a junction in series with the resistor that carries its current is the arrangement every current source is built from. In one loop each noise current has to cross the other element, so the two supply equal shares at 12.50 millivolts, a quarter of the crossing; at the crossing itself the resistor supplies 80 per cent and the loop is 2.553 decibels below both floors, which is further than it gets anywhere else. The same resistor multiplies the stage's input-referred noise by five.
The window the resistors own
Eight essays have priced one compensated stage, and the fourth of them left two of the amplifier's own generators named and uncounted. With the current generator put in the netlist the floor at ten kilohms goes from 28.88 microvolts to 30.13, and the resistors carry more than half the noise power only between 2.91 kΩ and 85.9 kΩ — outside that window, in both directions, the part does. The flicker corner turns out to be worth 1.00009 in this stage's own band, and 3.474 one band away.
The two generators that are one current
An amplifier's noise is two generators, a voltage in series with its input and a current across it, and the essays on its noise figure treat them as independent numbers. In a bipolar input stage they are one current's shot noise divided two ways, by the collector and the base, and their product is 2kT/√β at every collector current: 0.8008 nV·pA per hertz at a current gain of a hundred, from a microampere to ten milliamps. The best noise figure, 0.4139 dB, does not depend on the bias. The bias decides only where the best source is, and 50 ohms of base resistance decides what the best actually is below 500.
Only the real part is warm
Johnson's 4kTR is the special case of a statement about impedances: the noise across any passive two-terminal in equilibrium is 4kT·Re{Z}, so a reactance contributes nothing however large it is. That turns a modelling convenience into a noise figure. A 100 nF capacitor of loss tangent 0.02 written as 3.183 Ω in series and as 7.958 kΩ across it — the pair that converts exactly at 10 kHz — gives 0.226 and 10.10 nV/√Hz at 100 Hz, 33 dB apart, and 40 dB apart the other way at a megahertz.
The floor that is only a floor while nothing flows
Johnson noise depends on a resistance and a temperature and on nothing else, which is what makes it a floor. A real resistor has a second generator that depends on how it was made and on the voltage across it: 0.1 µV per volt per decade for a metal film, rising as 1/√f. On 100 kΩ with 10 V across it the two are equal at 271 Hz, and the crossover moves with the SQUARE of the voltage — 0.678 Hz at half a volt, 2.44 kHz at thirty. Splitting the same total resistance into eight parts in series divides the excess by exactly √8 and leaves the Johnson noise where it was.
Which way the noise goes
Two warm resistors joined together each drive the other, and the net flow is 4kΔT·R₁R₂/(R₁+R₂)² per hertz. At the match that is kΔT exactly — 1.5187 zeptowatts per hertz between 400 K and 290 K — and a kilohm pair and a gigohm pair at the same two temperatures exchange the same, which is why noise is quoted as a temperature. At one temperature the net is zero at every ratio to a part in 10³⁷, and that zero is the second law rather than a tolerance.
The bandwidth a bin is not
A density read off a transform is divided by a bandwidth, and the bandwidth belongs to the window rather than to the bin spacing — exactly three halves of a bin for a Hann window, so a density divided by one bin is 1.761 decibels high in power. Measured three ways that share only the weights. And the received sequence of windows fails at its second entry: Hamming's first sidelobe is 11.2 decibels below Hann's and it costs less bandwidth as well, with Hann collecting its debt at the fourth sidelobe and every one after it.
The count under the density
Shot noise's density, 2qI, is exact at every current, because it is the variance of a count of independent carriers, and that count is Poisson at any size. Reading that variance as a Gaussian floor is not exact. A picoampere in a 10 kHz noise bandwidth is 312 carriers a window, and it passes five standard deviations above its mean 2.74 times as often as a Gaussian of the same variance says. At 10 femtoamperes it is 359 times as often, and 4.4 per cent of the windows are empty. A single pole reads a third more skewness than a count does, (4/3)/√N against 1/√N. The density is right and the shape is wrong, and the shape is what a threshold uses.
The window a field-effect input wins in
A bipolar input's two noise generators are one current's shot noise split two ways, so their product, and with it the best noise figure, is fixed at 1 + 1/√β, 0.414 dB at a gain of a hundred, whatever the bias. A field-effect input's are two unrelated things. Its voltage noise is its channel's and its current noise is the shot noise of its gate leakage, so their product is a design variable: 0.0007 dB at a milliampere of drain and a picoampere of leakage. Against a bipolar input biased for each source, the field-effect input wins in a window of source resistance with two ends in closed form, from 2.83 kΩ, set by the two inputs' noise resistances, up to 5 GΩ, set by the gate leakage. A nanoampere of leakage brings the top down to 5 MΩ, and 438 nA closes the window.
The noise a pad adds is its temperature
A matched resistive pad of loss L at physical temperature T presents a noise temperature of Tₛ/L + T(1 − 1/L) at its output, for a source at Tₛ,, and summing its four resistors' Johnson noise to the open output confirms it to nine figures. Referred to its input its own noise is (L − 1)·T — 288.6 K at 3 dB, 28,710 K at 20 dB — so its noise figure in decibels is its loss in decibels at 290 K, which Friis states from the definition and the resistors reach by themselves. At its output a pad can never add more than its own temperature: cooled to 4 K, a 20 dB pad adds 3.96 K there, and still 396 K referred to its input. Most of a heavy pad's noise is made in its last resistor — 82.6% at 20 dB. And set between a 400 K source and a 290 K load, a pad stops the net flow of noise power at a temperature that depends on its loss, or, below 1.40 dB, at none.
The source resistance the flicker moves
An amplifier's optimum source resistance is the ratio of its voltage noise to its current noise, and both densities rise below their flicker corners — which are rarely the same frequency. With the voltage noise's corner at 10 Hz and the current noise's at 1 kHz, a part whose optimum is 6.67 kΩ at high frequency wants 2.11 kΩ at 100 Hz and 699 Ω at 1 Hz, tending to the white value times the square root of the ratio of the corners. Over the audio band the drift costs 0.012 dB; over a band from 1 to 100 Hz, choosing the white optimum costs 3.77 dB, and the spot optimum at the band's centre recovers all but a tenth of a decibel.
Two generators with one cause
The two-generator model of an amplifier assumes its voltage and current noise independent. Give them a correlation γ and the source sees a cross term, 2·Re(γ·e·i·Z*), linear in its resistance and its reactance. A real correlation leaves the quietest source resistance at e/i and moves the floor in proportion to 1 + γ: 0.83 dB instead of 1.14 at γ = −0.3. An imaginary one moves the optimum off the resistance axis — 5.77 kΩ with 3.33 kΩ of capacitive reactance at γ = 0.5j — and the noise figure's contours become circles about it; a resistive source cannot use it at all. If the two flicker components share one cause, the sign of the sharing decides the low-frequency floor: at 1 Hz, 3.9 dB or 18.0 instead of 15.1. And the correlation is measurable with three resistors, best with the middle one next to the optimum.
One turns ratio for a band
A 50 Ω source and an amplifier whose optimum is 6.67 kΩ want a step-up transformer, and the ratio that matches the white optimum, 11.5, is the one a design note computes. Over the audio band it is nearly right: 1.31 dB against 1.30 at the band's own best ratio, 10.7. Over 1 Hz to 100 Hz it is badly wrong — 9.2 dB where a ratio of 4.8 gives 5.4 — because the band's noise lives in its bottom decade, where the flicker has moved the optimum down. One ratio for a two-decade band costs at most 0.24 dB against a ratio that could follow the optimum. The transformer's winding resistance multiplies the whole noise factor by one plus the winding's resistance over the source's, not just its own share: a tenth of the source costs 0.41 dB where its own noise alone would cost 0.31. And 115 amplifiers in parallel are an ideal 10.7:1 transformer, noise for noise.
The window that closes from the top
A field-effect input beats a bipolar one biased for each source between 2.83 kΩ and 5.14 GΩ at 25 °C, and the top of that window is twice the thermal voltage over √β times the transistor's gate leakage: it falls as fast as the input junction leaks. Carried through the junction's own law, the ceiling is 39.5 GΩ at 0 °C, 913 MΩ at 50 and 5.79 MΩ at 150 — while the floor does not move from 2.83 kΩ until 200 °C. A 1 GΩ sensor leaves the window at 48.6 °C, a 10 GΩ one at 16.4, about 33 kelvin a decade. The leakage's doubling interval is not ten kelvin but 7.5 at 0 °C and 15.0 at 150, so the rule of thumb is right at one temperature only.
The end a lossy line looks like
A line running from room temperature into a 4 K stage is a chain of pads, each at its own temperature, and its noise at the cold end is each piece's emission attenuated by everything after it. Cut into forty pads along a linear gradient, a 20 dB line fed from a 300 K source delivers 67.7 K to the cold end, where the continuous closed form says 67.63; its cold half supplies 46.7 K of that and its warm half 18.0. Read from the warm end, the same line's own noise is 184 K at 10 dB against 89.7 at the cold: a lossy line looks like the end it is read from. And twenty decibels placed as one attenuator at the 4 K stage deliver 6.96 K, where at room temperature they deliver 300.
The resistors that sum a hundred amplifiers
A hundred amplifiers in parallel across a 50 Ω source are an ideal transformer of ratio ten, and the summing network between them and the output is where the comparison was left. Its resistors turn out to be the least of it. N resistors averaging N outputs make the noise of R/N, falling exactly as the amplifiers' voltage noise does, so the resistor equal to a 4 nV/√Hz amplifier is about a kilohm at every N, and at 133 parts 200 Ω costs only a tenth of a decibel. The stage that was forgotten is whatever reads the sum. Averaging leaves it alone, so a following amplifier as good as one of the parts costs 12.14 dB, and each part needs a gain of 26 to bring that under a tenth. Parallel amplifiers then match a transformer with one ohm of winding.