Anti-alias filter — where it appears
Named by 3 essays across 3 fields — each of them below, with the objects they name alongside it.
What the filter in front costs
The filter that keeps a converter honest is normally chosen for its skirt. Measured against one requirement — eighty decibels down by the frequency that folds back into a 20 kHz band — the choice is not a decibel or two of skirt but a factor in the clock: Bessel demands 3.53 times Nyquist, Butterworth 2.08, Chebyshev 1.53. And one design is refused outright, because an elliptic stopband is a floor rather than a slope and no sample rate reaches past a floor.
The filter that samples
The rung below built a resistor out of a clock and measured two ways it is not one: a settling time, and a corner that is a capacitor ratio rather than an R–C product. Both are errors in a value and both get smaller as the design gets better. This is an error of a different kind — the arrangement is not a continuous system at all, and nothing below half the clock shows it. An input at 992 kilohertz arrives at 7.8 kilohertz with the passband's own gain, where the continuous model the rung below fitted says it is 56 decibels down.
The factor the expression leaves out
The classical compensation for a photodiode amplifier is quoted both as the forty-five degree choice and as the maximally flat one, and it is neither: it leaves 1.18 dB of peaking and 52.4° of margin. Flat is at exactly √2 times it — fitted at 1.4186 against 1.4142, at every detector from 3 pF to 1 nF. And the third quantity the capacitor is supposed to trade, the noise, does not move at all inside the signal band: three compensations spanning a factor of fourteen give 8.37 against 8.36 µV in a 4.36 kHz measurement and 230 against 65 µV over the whole plane.
Named alongside it
The objects these essays reach for when they reach for this one.
AliasingModel rangeSample rateClosed formDesign tradeoffFilter familiesFilter tradeoffMarchingNoise gainNyquist rateOvercompensationOversampling