Flicker noise — where it appears
Named by 6 essays across 3 fields — each of them below, with the objects they name alongside it.
The window the resistors own
Eight essays have priced one compensated stage, and the fourth of them left two of the amplifier's own generators named and uncounted. With the current generator put in the netlist the floor at ten kilohms goes from 28.88 microvolts to 30.13, and the resistors carry more than half the noise power only between 2.91 kΩ and 85.9 kΩ — outside that window, in both directions, the part does. The flicker corner turns out to be worth 1.00009 in this stage's own band, and 3.474 one band away.
The floor that is only a floor while nothing flows
Johnson noise depends on a resistance and a temperature and on nothing else, which is what makes it a floor. A real resistor has a second generator that depends on how it was made and on the voltage across it: 0.1 µV per volt per decade for a metal film, rising as 1/√f. On 100 kΩ with 10 V across it the two are equal at 271 Hz, and the crossover moves with the SQUARE of the voltage — 0.678 Hz at half a volt, 2.44 kHz at thirty. Splitting the same total resistance into eight parts in series divides the excess by exactly √8 and leaves the Johnson noise where it was.
The source resistance the flicker moves
An amplifier's optimum source resistance is the ratio of its voltage noise to its current noise, and both densities rise below their flicker corners — which are rarely the same frequency. With the voltage noise's corner at 10 Hz and the current noise's at 1 kHz, a part whose optimum is 6.67 kΩ at high frequency wants 2.11 kΩ at 100 Hz and 699 Ω at 1 Hz, tending to the white value times the square root of the ratio of the corners. Over the audio band the drift costs 0.012 dB; over a band from 1 to 100 Hz, choosing the white optimum costs 3.77 dB, and the spot optimum at the band's centre recovers all but a tenth of a decibel.
Two generators with one cause
The two-generator model of an amplifier assumes its voltage and current noise independent. Give them a correlation γ and the source sees a cross term, 2·Re(γ·e·i·Z*), linear in its resistance and its reactance. A real correlation leaves the quietest source resistance at e/i and moves the floor in proportion to 1 + γ: 0.83 dB instead of 1.14 at γ = −0.3. An imaginary one moves the optimum off the resistance axis — 5.77 kΩ with 3.33 kΩ of capacitive reactance at γ = 0.5j — and the noise figure's contours become circles about it; a resistive source cannot use it at all. If the two flicker components share one cause, the sign of the sharing decides the low-frequency floor: at 1 Hz, 3.9 dB or 18.0 instead of 15.1. And the correlation is measurable with three resistors, best with the middle one next to the optimum.
A frequency that wanders
Below its flicker corner an oscillator's phase noise falls thirty decibels a decade instead of twenty, because the oscillator's frequency itself wanders. A clock with 0.1 ps of period spread and a 100 kHz corner samples a 10 MHz tone at 84.1 dB over 1,024 samples and 52.9 over 65,536 — 14.7 dB worse than the walk alone — because past 2,277 samples its error grows as the capture rather than its square root. That crossing is 1.42 periods of the corner frequency for every corner. Fitting a parabola as well as a line buys 3.88 dB at every length and changes no slope; each further term buys a fixed fraction. And a first-order locking loop cannot stop it: the locked clock's variance grows with the logarithm of the record, 1.92 dB lost between 4,096 and 262,144 samples, until a loop with an integrator holds it at 87.5.
One turns ratio for a band
A 50 Ω source and an amplifier whose optimum is 6.67 kΩ want a step-up transformer, and the ratio that matches the white optimum, 11.5, is the one a design note computes. Over the audio band it is nearly right: 1.31 dB against 1.30 at the band's own best ratio, 10.7. Over 1 Hz to 100 Hz it is badly wrong — 9.2 dB where a ratio of 4.8 gives 5.4 — because the band's noise lives in its bottom decade, where the flicker has moved the optimum down. One ratio for a two-decade band costs at most 0.24 dB against a ratio that could follow the optimum. The transformer's winding resistance multiplies the whole noise factor by one plus the winding's resistance over the source's, not just its own share: a tenth of the source costs 0.41 dB where its own noise alone would cost 0.31. And 115 amplifiers in parallel are an ideal 10.7:1 transformer, noise for noise.
Named alongside it
The objects these essays reach for when they reach for this one.
Design tradeoffOptimum source resistanceCurrent noiseNoise figureNoise floorVoltage noiseJohnson noiseAperture jitterCapacitive loadCorner frequencyCross termExcess noise