Total harmonic distortion — where it appears
Named by 22 essays across 6 fields — each of them below, with the objects they name alongside it.
The distortion a linear model cannot have
A small-signal model's output is a scaled copy of its input by construction, so it has no second harmonic and asking it for one is not a hard question but a meaningless one. Measured on the curve itself, an exponential produces one per cent of harmonic distortion at 1.03 mV of drive — seven times sooner than the 7.30 mV at which its gain is one per cent wrong.
How small is small signal
Linearising an exponential replaces a curve by its tangent, which is exact at a point and progressively wrong away from it. The amplitude at which it is one per cent wrong is 7.3 millivolts at room temperature — 28 per cent of the thermal voltage, not a small fraction of it, and a good deal smaller than "small signal" suggests.
What the limiter charges for
The diodes that set the amplitude are the only nonlinear thing in the loop, so every harmonic in the output is theirs. Across the gain slider the amplitude rises by a factor of 1.51 and the distortion by 15.4 — an amplitude that goes as the 0.11 power of the excess gain and a distortion that goes as the 0.74 power. Two diodes facing opposite ways produce no even harmonic at all, at seven parts in ten million, which is the arithmetic's floor rather than a small residue.
The neutral that carries more than a line
Three balanced loads draw currents summing to 5.3 × 10⁻¹⁵ amperes in the neutral. That is a theorem about sinusoids, and it uses nothing except that each current is a single frequency. A harmonic of order three is shifted by 360° between phases, which is no shift at all — so the third harmonics add, and for any conduction angle narrow enough that the pulse trains stay disjoint the neutral carries exactly √3 times a line current.
Six decibels a bit, and the half step blamed on it
Every converter data sheet quotes 6.02N + 1.76 dB and every bench measurement comes up short of it, which is usually explained by calling the formula an approximation. Measured one step inside full scale it agrees to 0.15 dB at every bit count from eight to sixteen. Driven to exactly full scale the same converter loses 0.83 dB at eight bits — because 327 of 8192 samples hit the top code, and a mid-tread converter's largest code is one step below full scale.
What a meter multiplies by
An average-responding meter rectifies, averages and multiplies by 1.1107, which makes it exactly right for a sinusoid and wrong for everything else by the ratio of two form factors — 11.07 per cent high on a square wave and 35.9 per cent low on a rectifier drawing its current in sixty degrees. It is also exactly right at one other waveform, a 145.90 degree conduction angle, which is nobody's sinusoid. Beside it a true-RMS meter that reaches nine harmonics is two per cent low on a square wave and never within one per cent of anything narrower.
When a floor stops being a floor
Quantisation error is treated as noise and behaves like noise while the input crosses many levels. As the amplitude falls it stops: measured at the bins its harmonics occupy, the share of the error's power sitting in harmonics of the input rises from 0.29% at 230 levels to 76% at 1.3. The floor has not moved. It has become a distortion product locked to the signal, and the fix is to add noise on purpose — one whole least significant bit, and no more.
What a resistor in the emitter buys
Degeneration is described as a trade: give up gain, get linearity. Measured on the transfer curve, the two sides of that trade are not the same size. Dividing the gain by six moves the amplitude at which distortion reaches one per cent by thirty-five times — the square of the factor — and the amplitude at which the gain is one per cent out by only twelve. So the two edges close up, and a well-degenerated stage stops being limited by its linearity and starts being limited by how accurately its gain is known.
The capacitance that is not one number
A ten-microfarad ceramic at its rated five volts is 2.000 µF as a slope, 5.814 µF as a charge average and 2.105 µF as a bridge reads it — three answers to three different questions, all correct, all called the capacitance. At zero bias the standard one-volt test alone reads 5.2 per cent low. Marched in a circuit the same part distorts as the square of the drive with no bias and in proportion to it with a bias, because the bias is what puts a second harmonic there.
Where the two exponents come from
What a resistor in the emitter buys measured two exponents and could explain neither: the distortion edge moves as the square of the degeneration factor and the gain edge as its 0.950 power, and at a factor of exactly three halves the gain error vanished. The degenerated transfer curve has no closed form forwards and an exact one backwards, and reverting that series gives all three. The distortion exponent is exactly two; the gain edge is proportional to D squared over the root of the absolute value of three minus twice D, which is infinite at three halves and tends to a three-halves power; and the two edges are 7.07 apart on the bare device and 1.62 at a factor of eleven, against 7.06 and 1.61 measured.
The point the device is never at
A device's linearity is specified by one number, and that number is a place on no curve. The third-order intercept is where two straight lines would cross if both went on being straight, and neither does. For a differential pair the crossing sits π²/4 — 7.84 decibels — above the largest output the device can produce at any drive whatever, and the arithmetic that says so contains no tail current and no temperature.
What the fourth order says about the third
A closed form derived by neglecting the fourth-order term is a claim with an error, and the error is a quantity the fourth-order term can be asked about. Carried one order further, the degenerated exponential's reversion predicts 7.33 per cent where the leading expression was measured to be 6.89 per cent optimistic — and takes the residue to 0.362 per cent. The correction has its own edge, in the same quantity, and it is measured too.
The order that stops helping
Three essays in this field have derived expressions for the amplitude at which a degenerated stage's distortion reaches a target, each one order longer than the last, and each one nearer the measurement. This is where that stops. The error of an expression truncated at order m grows as the m-th power of the drive — 2.00, 4.00 and 5.88 measured — so every added order buys a range that ends sooner than the last one bought, and above 8.9 thermal voltages the six-term expression is further from the device than the four-term one.
A floor, or five tones
The field's sharpest statement about a one-bit loop is that three quarters of its in-band error sits in five lines, against the 1.953 per cent a white error would put in any five — a factor of thirty-eight. The comparison is to a white error, and a shaping loop exists to make its error anything but white. Measured against the loop's own transfer function, which the loop reproduces line by line to a part in five hundred when it is dithered, the same error is 17.4 times tonal at a fiftieth of full scale and 8.9 times at nine tenths. And 99.5 per cent of it at the quiet end is two harmonics of the input.
The dither that is a decision
One whole least significant bit is quoted everywhere as the dither, which makes a decision look like a constant. Swept, the axis is a corner and a comb. An eighth of a step leaves 64.5 per cent of the error locked to the signal and one whole step leaves 0.34; above that the sweep mean is 0.283, 0.297, 0.297 and 0.301 per cent at one, two, three and four steps and 0.526 at a step and a half, which fails at exactly the small amplitudes dither exists for. The price is 10·log₁₀(1 + L²) to 0.118 of a decibel, and four steps cost 12.41 for nothing.
Three amplitudes, all of them one per cent
The amplitude at which linearising an exponential is one per cent wrong is 7.30 mV, and that is a statement about the gain. Two other quantities are also one per cent wrong somewhere: the second harmonic reaches one per cent at 1.03 mV and the shift in the operating point the model was linearised about reaches it at 5.17 — which is √2 below the gain boundary exactly, because the mean goes as a²/4 and the fundamental as a²/8. And the spacing is not a property of the device: tighten the criterion to a part in ten thousand and the same three spread to 1 : 50 : 70.7.
The gain a tolerance demands
A Wien oscillator needs a gain of exactly three only when its four network parts are exactly equal. In general it needs 1 + Rs/Rp + Cp/Cs — bisected on the netlist to ten digits — so a series resistor 1% high asks for 3.0100 and a shunt resistor 1% high for 2.9901. Four thousand seeded oscillators from 1% parts set to the textbook's comfortable 3.02 leave a quarter of them silent; 99.9% start only at 3.072, and at that setting the median unit distorts 2.6% — the limiter has to absorb a margin the tolerance forced. The frequency spreads by one part's own spread, 0.58% for 1% parts, as large as the limiter's own 0.771% shift. Parts from one array, tracking to 0.05%, need only 3.0035, because the gain depends on ratios and the frequency on products.
One step of dither per moment
A whole step of uniform dither makes a quantiser's error average to zero wherever the input sits, and leaves its power at x(1 − x) steps²: zero at a code and a quarter between codes, so the noise rises and falls with the signal. Two steps — a triangular dither — hold the power at a quarter everywhere and leave the third moment swinging by 0.096 steps³; three steps fix that too. Each added step fixes one more moment of the error and costs a twelfth of a step² of power: 3.01 dB for one, 4.77 for two. Subtracted after the converter, one step fixes the error's whole distribution for 0.00 dB.
The levels the loop cannot shape
Give a second-order noise-shaping loop a quantiser of several bits instead of one and every bit beyond the second buys six or seven decibels, the best input amplitude climbs from 0.6 of full scale to 0.95, and loops of third and fourth order that will not run on one bit run on three or four. What it charges is outside the loop's reach. The levels the quantiser feeds back enter where the input does, so their errors are passed rather than shaped: a three-bit loop loses its lead over a one-bit one when each level is out by 0.027 per cent, its error stops falling with oversampling, and the error arrives as harmonics. One bit is immune because two levels always lie on a line.
The sequence a harmonic belongs to
Symmetrical components are defined on phasors, so they describe one frequency, and a rectifier load's current has many. Taken harmonic by harmonic, three balanced loads give a single sequence at every harmonic, to the arithmetic's floor: the third and its multiples zero sequence, the seventh, thirteenth and nineteenth positive, the fifth, eleventh and seventeenth negative — because harmonic h is shifted h × 120° between phases. The sequence decides where each harmonic can go. Connected line to line, the loads put no triplen in a line at all: 3.32 A of them circulates round the delta and never leaves it. Fed through a delta–wye transformer beside a second group, the fifth and seventh cancel in the supply and the eleventh and thirteenth remain, because the transformer turns the two sequences opposite ways.
The lamp that has to be slow
A small lamp in a Wien oscillator's gain network adjusts the gain to whatever each unit needs, so the margin a limiter spends is no longer spent, and the price is an amplitude loop of its own. The envelope is an integrator and the filament is a lag, which makes a second-order loop that rings at the square root of 2ω₀m/τ and decays at (1 + m)/2τ. The filament's ripple at twice the carrier is the only distortion, 0.201/ω₀τ. So the slowness that lowers the distortion lengthens the settling in exact proportion: distortion times settling is 0.163 cycles at any time constant, and 0.01 per cent takes a second at 1.59 kHz and 82 seconds at 20 Hz.
The fifth a resistor adds
Local feedback's reputation is that it reduces distortion, and on the second order it does: 4.97 per cent falls to 2.5 at a loop gain of one and 0.46 at ten, with the output held fixed. The third has a null at a loop gain of exactly a half and comes back with its sign changed. And from the fifth upward, a harmonic rises above its open-loop value before it falls: the fifth 1.42 times, the sixth 5.23, the seventh 24.6, the ninth 960, peaking at a loop gain between six and twenty. The second order, carried back through the resistor, mixes with the signal and makes them. A total-harmonic reading shows only improvement throughout, because the second dominates it. A differential pair has no second order to carry back, and its fifth never passes its open-loop value.
Named alongside it
The objects these essays reach for when they reach for this one.
Model rangeDesign tradeoffQuantisationEffective bitsEmitter degenerationGain compressionClosed formTransfer curveAmplitude stabilisationDitherMeasurement conditionBarkhausen criterion