Gain compression — where it appears
Named by 6 essays across 2 fields — each of them below, with the objects they name alongside it.
The distortion a linear model cannot have
A small-signal model's output is a scaled copy of its input by construction, so it has no second harmonic and asking it for one is not a hard question but a meaningless one. Measured on the curve itself, an exponential produces one per cent of harmonic distortion at 1.03 mV of drive — seven times sooner than the 7.30 mV at which its gain is one per cent wrong.
What a pair cancels, and what it only halves
A differential pair's transfer characteristic is an odd function, and an odd function driven symmetrically produces no even harmonics at all. Measured, the second harmonic comes out at 10⁻¹⁶ of the fundamental — the arithmetic's own floor, not a small physical residue. The third harmonic is a different story, and it comes out at exactly half the single stage's, which is a reduction and not a cancellation.
Six decibels a bit, and the half step blamed on it
Every converter data sheet quotes 6.02N + 1.76 dB and every bench measurement comes up short of it, which is usually explained by calling the formula an approximation. Measured one step inside full scale it agrees to 0.15 dB at every bit count from eight to sixteen. Driven to exactly full scale the same converter loses 0.83 dB at eight bits — because 327 of 8192 samples hit the top code, and a mid-tread converter's largest code is one step below full scale.
What a resistor in the emitter buys
Degeneration is described as a trade: give up gain, get linearity. Measured on the transfer curve, the two sides of that trade are not the same size. Dividing the gain by six moves the amplitude at which distortion reaches one per cent by thirty-five times — the square of the factor — and the amplitude at which the gain is one per cent out by only twelve. So the two edges close up, and a well-degenerated stage stops being limited by its linearity and starts being limited by how accurately its gain is known.
Where the two exponents come from
What a resistor in the emitter buys measured two exponents and could explain neither: the distortion edge moves as the square of the degeneration factor and the gain edge as its 0.950 power, and at a factor of exactly three halves the gain error vanished. The degenerated transfer curve has no closed form forwards and an exact one backwards, and reverting that series gives all three. The distortion exponent is exactly two; the gain edge is proportional to D squared over the root of the absolute value of three minus twice D, which is infinite at three halves and tends to a three-halves power; and the two edges are 7.07 apart on the bare device and 1.62 at a factor of eleven, against 7.06 and 1.61 measured.
The point the device is never at
A device's linearity is specified by one number, and that number is a place on no curve. The third-order intercept is where two straight lines would cross if both went on being straight, and neither does. For a differential pair the crossing sits π²/4 — 7.84 decibels — above the largest output the device can produce at any drive whatever, and the arithmetic that says so contains no tail current and no temperature.
Named alongside it
The objects these essays reach for when they reach for this one.
Total harmonic distortionTransfer curveEmitter degenerationEven harmonic cancellationLocal feedbackBessel functionsDesign tradeoffDevice matchingDifferential pairDynamic rangeEffective bitsIntermodulation