Even harmonic cancellation — where it appears
Named by 7 essays across 3 fields — each of them below, with the objects they name alongside it.
What a pair cancels, and what it only halves
A differential pair's transfer characteristic is an odd function, and an odd function driven symmetrically produces no even harmonics at all. Measured, the second harmonic comes out at 10⁻¹⁶ of the fundamental — the arithmetic's own floor, not a small physical residue. The third harmonic is a different story, and it comes out at exactly half the single stage's, which is a reduction and not a cancellation.
Where the two exponents come from
What a resistor in the emitter buys measured two exponents and could explain neither: the distortion edge moves as the square of the degeneration factor and the gain edge as its 0.950 power, and at a factor of exactly three halves the gain error vanished. The degenerated transfer curve has no closed form forwards and an exact one backwards, and reverting that series gives all three. The distortion exponent is exactly two; the gain edge is proportional to D squared over the root of the absolute value of three minus twice D, which is infinite at three halves and tends to a three-halves power; and the two edges are 7.07 apart on the bare device and 1.62 at a factor of eleven, against 7.06 and 1.61 measured.
The product that is not the third
Every distortion result in this field is odd-order, and every two-tone calculation behind those results computed the second-order product and threw it away. On a bare exponential it is the drive over twice the thermal voltage — 1.934 × 10⁻² of the fundamental at a millivolt, against 1.870 × 10⁻⁴ for the third-order product, a ratio of 4Vₜ/a and a hundred and three to one. A differential pair puts it at 6.2 × 10⁻¹⁶. And degeneration removes it as D⁻² where it removes the third order as D⁴/|3 − 2D|, so a stage linearised until its third-order product is negligible is a stage whose distortion is almost entirely the one nobody measured.
Two decibels of matching for one of gain
An offset gives a differential pair back the second harmonic its symmetry removed. Put resistors in the emitters and that second harmonic falls as the cube of one plus gₘRₑ at a fixed input and as its square at a fixed output — measured slopes of −3.00 and −2.00 — so each decibel of gain given up buys two decibels of distortion, or two decibels more offset at the same distortion. A matching specification that allowed 0.535 mV for −60 dB at 10 mV of output allows 2.14 mV at gₘRₑ = 1. The worst case over all drives relaxes more slowly: the offset below which the second harmonic can never reach one per cent goes from 1.36 mV to 4.39 mV as gₘRₑ goes to three, because the peak it limits sits where the pair saturates, and degeneration only moves that further out.
The harmonic that names an inrush
A transformer's differential relay sees an inrush as current going in and nothing coming out, which is what an internal fault looks like, and it tells them apart by the second harmonic. Marched cycle by cycle, an inrush starts at 79% second harmonic and stays above the usual 15% restraint for thirty cycles — long after its current has fallen from 88 A to 205 mA, because the current unwinds in a few cycles and the flux offset under it takes seconds. A fault's offset is a smooth exponential and peaks at 14.6% only when X/R is as low as three.
The resistor mismatch that is only an offset
Two emitter resistors that differ by δ unbalance a degenerated pair, and with an ideal tail they do it in the simplest way possible: the arm currents always sum to the tail, so the mismatch adds the constant (Iₜ/2)·R·δ = Vₜ·gₘRₑ·δ to the input and nothing else. Solved arm by arm, a 1% mismatch at gₘRₑ = 3 is the balanced pair moved by 0.776 mV to 4 × 10⁻¹⁶ of the tail, and a trim of that size leaves no second harmonic at any drive. What separates it from a junction's offset is that it grows with the degeneration meant to divide it: at a fixed output its second harmonic falls as gₘRₑ/(1 + gₘRₑ)², one decibel per decibel of gain rather than two, and it takes over from 0.5 mV of base–emitter mismatch at gₘRₑ = 1.93. For −80 dB at 10 mV of output the resistors must match to 0.823% at gₘRₑ = 1 even with perfect transistors.
The fifth a resistor adds
Local feedback's reputation is that it reduces distortion, and on the second order it does: 4.97 per cent falls to 2.5 at a loop gain of one and 0.46 at ten, with the output held fixed. The third has a null at a loop gain of exactly a half and comes back with its sign changed. And from the fifth upward, a harmonic rises above its open-loop value before it falls: the fifth 1.42 times, the sixth 5.23, the seventh 24.6, the ninth 960, peaking at a loop gain between six and twenty. The second order, carried back through the resistor, mixes with the signal and makes them. A total-harmonic reading shows only improvement throughout, because the second dominates it. A differential pair has no second order to carry back, and its fifth never passes its open-loop value.
Named alongside it
The objects these essays reach for when they reach for this one.
Emitter degenerationDifferential pairModel rangeDesign tradeoffDevice mismatchGain compressionNonlinearityOffset voltageSmall-signal modelTotal harmonic distortionTransfer curveComponent tolerance