Circuit Response
every model has an edge, and the figure carries it
Concept

Offset voltage — where it appears

The input voltage a real amplifier needs in order to produce zero output, standing in for every asymmetry between its two input devices. It adds to the signal and cannot be told from it, so it is answered by matching or by trimming rather than by feedback, and what is left drifts with temperature.

Named by 2 essays across one field — each of them below, with the objects they name alongside it.

Where an amplifier's reading comes from, against the source it is reading. computed by solving, not by drawing. Three errors with three different dependences on the source, each measured by a solve with the other two set to zero. The offset voltage is flat — 50 microvolts wherever the source is. The bias current times the imbalance is linear in the source and is what balancing removes. The offset current times the source is linear too and is what balancing leaves. Unbalanced, the current overtakes the voltage at 1.77 kΩ; balanced, at 10.0 kΩ, which is the offset voltage divided by the OFFSET current and is the ratio of the two currents further along. Below about a kilohm, balancing makes the reading worse — the feedback network is already the larger resistance, and equalising means adding to the source.

The current the instrument draws

Every amplifier in this collection has had inputs that take no current, and that is not an idealisation of a small quantity — it is an idealisation of one whose size is decided by something outside the part. Fifty nanoamps is nothing until it flows in a megohm, and then it is fifty millivolts. The classical cure balances the two resistances and removes the bias current, leaving the offset current: worth a factor of ten, not a thousand, and it costs forty per cent of the noise density to get.

instruments · Input bias current The cure changes shape at 909 Ω, which is a property of the feedback network and of nothing else. computed by solving, not by drawing. What balancing actually does to the circuit, against the source resistance it is done for, at a gain of 11 with a 1.0 kΩ bottom resistor. The inverting input looks back into 909 Ω — the bottom resistor times (G−1)/G — and that number is the whole of the knee. Below it the cure is a resistor in series with the source and the feedback network is untouched. Above it there is no resistor to add, and the network is scaled up to meet the source instead: 1100× at 1.0 MΩ, which puts 11 MΩ in the feedback path. The scaled feedback resistor is the source resistance times the gain exactly, so the network's own size has left the answer — it decided where the knee was and nothing after it.

The cure that becomes a different circuit

The classical cure for an amplifier's input current is to make the two resistances its inputs look back into equal, and it reads as one instruction. Solved, it is two circuits meeting at 909 ohms — the feedback network's bottom resistor times (G−1)/G — and above that knee there is no resistor to add: the network is scaled to the source, which at a megohm means 11 megohms of feedback and at a gain of 1001 means 1001. Above the knee three different networks become one instrument to twelve figures, the noise penalty settles at 1.41420 against a √2 of 1.41421, and the benefit at 10.49 against two currents whose ratio is ten.

instruments · Input bias current

Named alongside it

The objects these essays reach for when they reach for this one.

Design tradeoffInput bias currentJohnson noiseModel rangeShot noiseSource impedanceInput capacitanceNoise gainPhase marginSingular-network

All concepts