Circuit Response
every model has an edge, and the figure carries it
Concept

Source impedance — where it appears

The impedance a circuit looks back into at its input, which decides how much of an amplifier's input current becomes a voltage error. It also decides how much thermal noise arrives with the signal, and it is a property of what is connected rather than of the part.

Named by 10 essays across 3 fields — each of them below, with the objects they name alongside it.

95 dB of instrument, 290 Hz corner — and the corner belongs to the source. computed by solving, not by drawing. The common-mode rejection of the same three-amplifier instrument the rungs below measured, with 1 kΩ of imbalance between the two source resistances and 10 pF at each input. The instrument's own curve is drawn beside it. Below 290 Hz the two agree; above it the measurement falls at twenty decibels a decade while the instrument does not, reaching 84.0 dB at a kilohertz against the instrument's 95.0. What converts common mode into differential is the difference of the two input time constants — 10.0 ns here — and once it is differential no rejection repairs it.

The corner the instrument has no part in

Three rungs of this argument measured a three-amplifier instrumentation amplifier's rejection at direct current and found 95 dB, of which the resistors' matching decides one part and the amplifiers' own mismatch another. Connect it to a source with a kilohm of imbalance and ten picofarads at each input and the rejection has a corner at 290 Hz and falls twenty decibels a decade after it — reaching 84 dB at a kilohertz on an instrument that is still doing 95. What converts common mode to differential is the difference of two time constants, and the cure is a capacitor on the quiet input.

instruments · Common-mode rejection Where an amplifier's reading comes from, against the source it is reading. computed by solving, not by drawing. Three errors with three different dependences on the source, each measured by a solve with the other two set to zero. The offset voltage is flat — 50 microvolts wherever the source is. The bias current times the imbalance is linear in the source and is what balancing removes. The offset current times the source is linear too and is what balancing leaves. Unbalanced, the current overtakes the voltage at 1.77 kΩ; balanced, at 10.0 kΩ, which is the offset voltage divided by the OFFSET current and is the ratio of the two currents further along. Below about a kilohm, balancing makes the reading worse — the feedback network is already the larger resistance, and equalising means adding to the source.

The current the instrument draws

Every amplifier in this collection has had inputs that take no current, and that is not an idealisation of a small quantity — it is an idealisation of one whose size is decided by something outside the part. Fifty nanoamps is nothing until it flows in a megohm, and then it is fifty millivolts. The classical cure balances the two resistances and removes the bias current, leaving the offset current: worth a factor of ten, not a thousand, and it costs forty per cent of the noise density to get.

instruments · Input bias current Terminated at both ends: no interval anywhere, at 1.65 V of 3.3. computed by solving, not by drawing. The same net as the three-way comparison, with a fourth trace: a series resistor at the driver AND a parallel one at the receiver. Both reflection coefficients are zero, so the wave that arrives at a receiver 50% of the way along is already the final value and there is no second arrival to wait for — the departure after the first edge is 0.0e+0 per cent, which is the arithmetic's floor. What it costs is the level: 1.650 V of 3.3, exactly half, because two equal resistances divide the supply and nothing reflects to double it back. The series scheme in the same place is undefined for 1.00 delays and the unterminated one overshoots by 82 per cent. The hold current is 33.0 mA against the parallel scheme's 60, because the path to ground now has two resistances in it.

Terminated at both ends

A series resistor at the driver and a parallel one at the receiver cost exactly half the swing — 1.650 volts of 3.300 — and no reflection ever gives it back, because there is no reflection. What the half buys is measured rather than asserted: a driver thirty per cent off its assumed impedance rings a series-terminated net by 16.3 per cent and a doubly terminated one by nothing at all, and an interior receiver on a series-terminated net sits in the undefined band for every far-end resistance above 125 ohms, which is Z₀/(1−2b) and contains no length, no driver and no frequency.

lines · Termination A clean board is 14.0 mV of error, and a guard makes it 1.0 nV. computed by solving, not by drawing. Two boards differing by one wire, solved with the leakage present and again with it removed, so the number plotted is the leakage's own contribution and nothing else. Unguarded, a teraohm across the laminate from a 15 V rail through a 1 GΩ source is 13.99 millivolts — and a humid morning takes that resistance down two decades, which is the left-hand end of this axis. Guarded, the ring is held at the input's own potential by the amplifier, so what is across the leakage is the amplifier's own error and the result is 1.00 nanovolts. The guarded line is flat in the rail and proportional to the signal: the offset has become a gain error of 1.00 parts per billion, and the reading is low by it rather than high: the ring sits a little below the input, so the last of the leakage pulls the input down.

The current that does not reach the input

A teraohm across a board from a fifteen-volt rail is fourteen millivolts of error through a gigohm source, and a humid morning takes that resistance down two decades. A ring held at the input's own potential leaves a nanovolt — proportional to the signal rather than to the rail, so an offset has become a gain error of one part in a billion — and the same wire multiplies the input resistance by the loop gain, which makes it 10¹⁸ Ω at direct current and 10¹² Ω at a megahertz.

instruments · Guarding Where 8 channels leak to: 91.0 MHz from buffered sources, 901 kHz from 50 Ω. computed by solving, not by drawing. The frequency at which the open channels of a multiplexer built from the 0.5 Ω, 100 MΩ, 5 pF switch leak 1% of the signal onto the shared output, against the impedance of the source driving the selected channel, into 1 MΩ. 2 channels: 637 MHz buffered, 6.30 MHz from 50 Ω; 8 channels: 91.0 MHz buffered, 901 kHz from 50 Ω; 16 channels: 42.4 MHz buffered, 420 kHz from 50 Ω. Each falls as the reciprocal of the source impedance plus the on-resistance, and the single switch's own band closes at 6.43 MHz.

Where an open switch leaks to

A lone switch has a band whose width no load can change, because its open state leaks into the load. In a multiplexer the seven open channels leak into a node the selected channel holds, so the load leaves the answer and the source takes its place: one per cent of leak at 91.0 megahertz from buffered sources and 901 kilohertz from fifty ohms, moving as the first power of the tolerance rather than the second. Adding the channels' capacitance into one forty-picofarad switch puts it at 804 kilohertz, near the fifty-ohm figure by coincidence and a hundred and thirteen times low for a buffered one.

limits · Ideal switch From 50 Ω into 50 Ω: a T isolates to 643 MHz, a changeover to 6.34 MHz. computed by solving, not by drawing. The fraction of the drive that arrives with the path open, against frequency, from a 50 Ω source into 50 Ω, for the 0.5 Ω, 100 MΩ, 5 pF switch used three ways. A T reaches 1% at 643 MHz; a changeover reaches 1% at 6.34 MHz; one switch reaches 1% at 3.18 MHz.

The capacitance a third switch moves

A changeover's open channel leaks into the source of the channel that is closed, so its isolation into fifty ohms falls from 643 megahertz with a buffered source to 6.34 megahertz with a fifty-ohm one. Put a third switch to ground between two series switches and the leak lands on half an ohm of closed switch instead: 814, 643 and 2,240 megahertz from sources of nothing, fifty ohms and a kilohm, rising forty decibels a decade where a changeover's rises twenty. The price is the shunt switch's own capacitance, moved under the closed path, which makes the T one per cent wrong as a waveform at 6.59 megahertz beside the changeover's 6.61.

limits · Ideal switch Two of the four errors are divided by the gain; the best the instrument gets is 110.1 dB, at ×776. computed by solving, not by drawing. The four mechanisms that limit a three-amplifier instrumentation amplifier's common-mode rejection, each measured alone against the gain of its input stage and then all four together, at 50.0 Hz with 1 kΩ of imbalance between the source resistances and 10 pF at each input. The difference stage's four resistors and the difference amplifier's own rejection are injected after the gain, so their common-mode gain is a constant — 1.998 mV/V and 0.0100 mV/V — and the rejection they allow rises decibel for decibel with the gain. The input pair's mismatch and the source's time-constant gap are injected before it, so they are amplified by exactly the gain the signal is and the rejection they allow is flat. The four add as complex numbers: the two largest are real and of opposite sign, they cancel at a gain of 776, and what is left there is the source's 3.142 µV/V, which is purely imaginary because it is ωΔτ. The instrument's best is 110.07 dB against the source's own 110.06, and above that gain more of it buys nothing.

The errors that arrive before the gain

Four earlier measurements each found a different owner of one instrument's common-mode rejection and each measured it alone. Solved together, the four are complex numbers that add — to 1.25 parts in ten thousand — and two of them carry a factor of the first stage's gain while two do not. The two that do cancel the two that do not at a gain of 776, and what is left there is 110.066 decibels, which is exactly the number the cable sets. Better-matched amplifiers move that gain from 93 to 3392 and do not move the ceiling by a hundredth of a decibel.

instruments · Common-mode rejection The cure changes shape at 909 Ω, which is a property of the feedback network and of nothing else. computed by solving, not by drawing. What balancing actually does to the circuit, against the source resistance it is done for, at a gain of 11 with a 1.0 kΩ bottom resistor. The inverting input looks back into 909 Ω — the bottom resistor times (G−1)/G — and that number is the whole of the knee. Below it the cure is a resistor in series with the source and the feedback network is untouched. Above it there is no resistor to add, and the network is scaled up to meet the source instead: 1100× at 1.0 MΩ, which puts 11 MΩ in the feedback path. The scaled feedback resistor is the source resistance times the gain exactly, so the network's own size has left the answer — it decided where the knee was and nothing after it.

The cure that becomes a different circuit

The classical cure for an amplifier's input current is to make the two resistances its inputs look back into equal, and it reads as one instruction. Solved, it is two circuits meeting at 909 ohms — the feedback network's bottom resistor times (G−1)/G — and above that knee there is no resistor to add: the network is scaled to the source, which at a megohm means 11 megohms of feedback and at a gain of 1001 means 1001. Above the knee three different networks become one instrument to twelve figures, the noise penalty settles at 1.41420 against a √2 of 1.41421, and the benefit at 10.49 against two currents whose ratio is ten.

instruments · Input bias current The guard leaves a negative resistance, and it reaches −1.59 kΩ. computed by solving, not by drawing. The magnitude of the conductance a source sees looking into the input, guarded and not, with 100 pF of cable and a 1.00 MHz amplifier. The unguarded input's conductance is positive everywhere — a capacitance to ground and a leakage to a rail are both losses. The guarded one is negative above 0.0404 Hz, and its magnitude rises as the square of frequency: −15.9 MΩ at 10 kHz, −161 kΩ at 100 kHz, −3.18 kΩ at a megahertz. Above the amplifier's gain-bandwidth product it flattens at ωₜ·C, which is −1.59 kΩ. That is the same input the guard raises to 10¹⁸ Ω at direct current, and nothing about the leakage the guard was installed for appears in it: the negative resistance is a product of the amplifier's bandwidth and the cable it is driving.

The sign of what the guard gives back

A guard ring is sold on two numbers and they are both about magnitudes: a teraohm of leakage multiplied to 10¹⁸ ohms, and a hundred picofarads of cable bootstrapped out of the way. The guard is also driving that capacitance with a copy of the input that lags it, and a capacitance driven by a lagging copy of its own voltage takes current out of phase with the voltage across it. What the guarded input presents is a negative conductance rising as the square of frequency — −15.9 megohms at ten kilohertz, −3.18 kilohms at a megahertz, flattening at the gain-bandwidth product times the capacitance — and a faster amplifier makes it worse.

instruments · Guarding The best shunt switch for a T is 3.8×, 0.33×, 0.082× a series switch from sources of 0 Ω, 50 Ω, 1 kΩ. computed by solving, not by drawing. The frequency at which the band of a T closes — where no load leaves it within 1% of ideal in both states, the closed state counted as a shortfall in amplitude — against the size of its shunt switch, as a multiple of the 0.5 Ω, 100 MΩ, 5 pF series switches, with every conductance and the capacitance scaled together. From a 0 Ω source the band closes latest with a shunt 3.775 times the series switch, at 2.40 GHz, against 702 MHz with three identical switches — 3.42 times later. From a 50 Ω source the band closes latest with a shunt 0.325 times the series switch, at 243 MHz, against 89.8 MHz with three identical switches — 2.71 times later. From a 1 kΩ source the band closes latest with a shunt 0.082 times the series switch, at 59.4 MHz, against 4.53 MHz with three identical switches — 13.12 times later. A larger shunt holds the open node harder and hangs more capacitance on the closed path, and the source decides where the two meet.

The shunt switch the source sizes

A T is two series switches and a third to ground, and it is always drawn with three of the same part. The shunt switch pulls its own size two ways: larger, it holds the open node harder; larger, it hangs more capacitance on the closed path. The size at which the band closes latest is a balance of the two — the fourth root of 2/ε times √(Rₒₙ/(Rₛ + Rₒₙ)) — when the closed state is counted as an amplitude — 3.8 times a series switch from a buffered source, a third of one from fifty ohms, a twelfth from a kilohm — and it buys a band 3.4, 2.7 and 13 times wider. Counted as a waveform the root of ε goes, and from a buffered source the best shunt is exactly the series switch.

limits · Ideal switch

Named alongside it

The objects these essays reach for when they reach for this one.

Model rangeDesign tradeoffLoadingParasiticsInput bias currentOff isolationOn-resistanceBootstrappingCommon-mode rejectionComponent toleranceGuardingInput impedance

All concepts