Measurement, which is a circuit on a circuit

The cure that becomes a different circuit

The classical cure for an amplifier's input current is to make the two resistances its inputs look back into equal, and it reads as one instruction. Solved, it is two circuits meeting at 909 ohms — the feedback network's bottom resistor times (G−1)/G — and above that knee there is no resistor to add: the network is scaled to the source, which at a megohm means 11 megohms of feedback and at a gain of 1001 means 1001. Above the knee three different networks become one instrument to twelve figures, the noise penalty settles at 1.41420 against a √2 of 1.41421, and the benefit at 10.49 against two currents whose ratio is ten.

Assumes: The current the instrument draws · The floor a circuit has

The current the instrument draws put an amplifier’s own input currents into the netlist and separated the three errors they make, and it ended with an instruction that every textbook gives in one sentence: make the two resistances the amplifier’s inputs look back into equal, and the bias current cancels, leaving the offset current.

That essay noticed, in passing, that the instruction has an asymmetry in it. If the feedback network is the larger resistance, balancing is a resistor in series with the source. If the source is the larger — which is the only case in which any of this mattered — there is no resistor to add and the feedback network has to be scaled up to meet it instead. It said so and moved on. It never asked where the boundary between the two is, what the scaled network costs, or whether the scaling leaves anything for a designer to choose.

All three are one solve away, and the answers are sharper than the sentence suggests.

The cure changes shape at 909 Ω, which is a property of the feedback network and of nothing else. computed by solving, not by drawing. What balancing actually does to the circuit, against the source resistance it is done for, at a gain of 11 with a 1.0 kΩ bottom resistor. The inverting input looks back into 909 Ω — the bottom resistor times (G−1)/G — and that number is the whole of the knee. Below it the cure is a resistor in series with the source and the feedback network is untouched. Above it there is no resistor to add, and the network is scaled up to meet the source instead: 1100× at 1.0 MΩ, which puts 11 MΩ in the feedback path. The scaled feedback resistor is the source resistance times the gain exactly, so the network's own size has left the answer — it decided where the knee was and nothing after it.
Fig. 1 What balancing does to the circuit, against the source resistance it is done for. The flat line is the resistance the inverting input looks back into before the cure — 909 Ω, wherever the source is. The two rising lines are what balancing makes of it. Drag it through the closed-loop gain: the knee barely moves and the feedback resistor moves by three orders.

What is being solved

A non-inverting stage of gain eleven, as a netlist, with the amplifier’s two input currents as current sources at its two input nodes and its offset voltage as a source in series with the non-inverting one. Nothing is quoted: the reading is the solved output divided by the gain, which is what the instrument is wrong by, and each of the three contributions is measured by a solve with the other two set to zero — the arrangement what a network answers makes routine.

Two resistances decide everything. RpR_p is the total from the non-inverting input to ground, which is the source and whatever is added in series with it. RmR_m is what the feedback network presents to the inverting one, which is the bottom resistor in parallel with the feedback resistor. Balanced means those two are equal, and the interesting question is what it costs to make them so.

The reproduction, which comes before the departure

Splitting one instruction into two circuits is the kind of claim that can be made to come out of a solve by mis-stating the solve, so the first thing asked of the netlist is a question whose answer is already on this ladder.

Where an amplifier's reading comes from, against the source it is reading. computed by solving, not by drawing. Three errors with three different dependences on the source, each measured by a solve with the other two set to zero. The offset voltage is flat — 50 microvolts wherever the source is. The bias current times the imbalance is linear in the source and is what balancing removes. The offset current times the source is linear too and is what balancing leaves. Unbalanced, the current overtakes the voltage at 1.77 kΩ; balanced, at 10.0 kΩ, which is the offset voltage divided by the OFFSET current and is the ratio of the two currents further along. Below about a kilohm, balancing makes the reading worse — the feedback network is already the larger resistance, and equalising means adding to the source.
Fig. 2 The rung below, for the calibration: three errors with three dependences on the source, each measured with the other two removed. The offset voltage is 50 µV wherever the source is; the current’s contribution overtakes it at 1.77 kΩ unbalanced and at 10.0 kΩ balanced, and the ratio of those two resistances is the ratio of the two currents.

Every number in it comes back unchanged, which it must, because the netlist has not changed — only the questions asked of it. The two crossings are still Vos/IBV_\mathrm{os}/I_B and Vos/IosV_\mathrm{os}/I_\mathrm{os}, at 1.77 kΩ and 10.0 kΩ for a part with fifty nanoamps of bias and five of offset. Below about a kilohm balancing still makes the reading worse rather than better, and that fact is the first sign of the boundary this essay is about: at a hundred ohms the feedback network is already the larger resistance, so equalising means adding 809 Ω to a source that had a hundred, and the amplifier’s bias current now flows in nine times what it flowed in before.

That is the same knee seen from the error rather than from the resistances. It is not a separate phenomenon and it is not a caveat: below 909 Ω the cure works by making the good input worse, and above it by making the bad one worse still. Only the second is what anybody means by balancing, and the instruction as usually stated covers both.

The knee, and it belongs to the feedback network

Before the cure, Rm=R1Rf/(R1+Rf)R_m = R_1 R_f/(R_1+R_f), and with a gain of GG that is R1(G1)/GR_1(G-1)/G. For a kilohm bottom resistor at a gain of eleven it is 909.09 Ω, and it is 909.09 Ω whatever the source is — the feedback network does not know what is on the other input.

So the instruction splits at exactly that number. Below it the source is the smaller resistance and the cure is a resistor of RmRsourceR_m - R_\mathrm{source} in series with it: at a hundred ohms, an 809-ohm resistor. Above it there is nothing to add, because adding to the source makes it larger still, and the only way to make the two equal is to raise RmR_m — which means scaling the whole divider, keeping its ratio so that the gain is unchanged.

R1(G1)/GR_1(G-1)/G is the bottom resistor for any gain above about ten, to within a few per cent: 500 Ω at a gain of two, 909 at eleven, 990 at a hundred and one, 999 at a thousand and one. The resistance at which a stated instruction becomes a different circuit is the feedback divider’s bottom resistor and essentially nothing else — not the amplifier, not the source, not the gain.

The cure changes shape at 9.1 kΩ, which is a property of the feedback network and of nothing else. computed by solving, not by drawing. What balancing actually does to the circuit, against the source resistance it is done for, at a gain of 11 with a 10 kΩ bottom resistor. The inverting input looks back into 9.1 kΩ — the bottom resistor times (G−1)/G — and that number is the whole of the knee. Below it the cure is a resistor in series with the source and the feedback network is untouched. Above it there is no resistor to add, and the network is scaled up to meet the source instead: 110× at 1.0 MΩ, which puts 11 MΩ in the feedback path. The scaled feedback resistor is the source resistance times the gain exactly, so the network's own size has left the answer — it decided where the knee was and nothing after it.
Fig. 3 The same circuit with a ten-kilohm bottom resistor instead of a kilohm. The knee moves out by exactly the factor the resistor moved, to 9.1 kΩ, and the scaling above it falls from 1100× to 110× — but the feedback resistor a megohm source demands is 11 MΩ in both, because it is the source times the gain and has nothing of the network in it.

Above the knee the network has left the answer

Scaling by Rsource/RmR_\mathrm{source}/R_m makes the bottom resistor RsourceG/(G1)R_\mathrm{source}\,G/(G-1) and the feedback resistor GG times the source, exactly, at every resistance drawn. A megohm source at a gain of eleven therefore asks for 11 MΩ in the feedback path and a hundred kilohms for 1.1 MΩ, and the size of the network the design started with has disappeared from both.

That is not a small observation dressed up. It means the balanced circuit is the same circuit whatever the designer chose, and the consequence is measurable in the reading.

Three feedback networks, three unbalanced instruments — and one balanced one. computed by solving, not by drawing. The same amplifier with a 100 Ω, a 1.0 kΩ and a 10 kΩ bottom resistor, unbalanced and balanced, against source resistance. Unbalanced they are three different instruments: at 100 Ω the largest network reads 377 µV of its own input stage against the smallest one's 50.9. Balanced, above the largest of the three knees, they are one instrument to twelve figures — because balancing forces the feedback network to the source's own size, and once it is there the error is the offset current times the source and the network has left the answer. The cure removes the designer's one lever along with the error. What is left to choose is the part.
Fig. 4 Three amplifiers differing only in the size of their feedback network — a hundred ohms, a kilohm and ten kilohms at the bottom — unbalanced and balanced. Unbalanced they are three instruments: at a hundred-ohm source the largest reads 377 µV of its own input stage against the smallest one’s 50.9. Balanced, above the largest of the three knees, the three curves are one curve to twelve figures.

Twelve figures is not agreement, it is identity: above its own knee each of the three has had its feedback network forced to the source’s own size, and there is nothing of the original choice left in the netlist. The balanced error is the offset current times the source, plus the offset voltage, and both of those belong to the part and to the thing being measured.

So the cure removes the designer’s one lever along with the error. Below the knee, the size of the feedback network is a real choice with real consequences — a factor of seven in the reading across the three drawn here. Above it, the choice has been made by the source.

What it buys and what it costs, both of which stop moving

Two quantities are worth having as functions of the source rather than as sentences, and both settle onto constants.

What the cure buys is the ratio of the unbalanced reading to the balanced one. It is 1.08 at a kilohm, 5.32 at ten kilohms, 9.56 at a hundred, 10.40 at a megohm and 10.49 at ten megohms — walking up to the ratio of the two currents, which for this part is ten. That is the number the rung below quoted as a factor of ten rather than a thousand, seen arriving.

What it costs is at the floor, and it settles too.

What the cure for the offset costs at the floor. computed by solving, not by drawing. The balancing resistor is a resistor, and this collection has a field about what a resistor does to a floor. Where the source is larger than the feedback network — which is every case in which the offset mattered — balancing means scaling the feedback network up to meet it, so both inputs now look back into the same large resistance and the density rises by up to 1.41 times. The offset it removes is a constant that can be measured once and subtracted; the noise cannot be subtracted at all. The bias current is a current and a current has shot noise, which passes the source resistor's own thermal noise beyond 1000 kΩ — inside the range drawn here. That boundary is 2kT/qI: it contains the current and the temperature and no resistance at all, which is to say it is the 49.98 mV the current has to drop across the source, and it moves with the current alone.
Fig. 5 The input-referred noise density before and after the cure. Balancing puts both inputs behind the same large resistance instead of one of them, so the thermal contribution appears twice, and the ratio walks to √2 — 1.0155 at a kilohm, 1.3286 at ten, 1.4053 at a hundred, 1.4137 at a megohm, and 1.41420 at ten megohms against a √2 of 1.41421.

Below the knee the cost is there and the benefit is not, which is the third face of the same boundary. At a hundred ohms the cure adds 809 Ω in series with the source, raising the density from 5.67 to 6.72 nV/√Hz — 1.18 times, most of the penalty already paid — while the reading goes from 12.1 µV to 54.5 µV, four and a half times worse. At the knee itself the two circuits are the same circuit: 6.72 against 6.72, and 54.5 µV against 54.5 µV, because the resistor to add has become zero. The cure has a range, and its lower end is not a place where it is merely less useful but a place where it is the wrong move.

The two limits above the knee are also worth separating by what kind of number each is. The benefit’s limit, 10.49, is a property of the part — the ratio of two currents on one data sheet, which for a bias-compensated amplifier can be two rather than ten and for a field-effect input can be anything at all, since its two currents are junction leakages that do not track. The cost’s limit, √2, is not a property of anything: it is what happens when one uncorrelated noise source becomes two of the same size, and no part, temperature or process changes it. So a designer reading a data sheet to decide whether to balance is reading exactly one number — the ratio of bias to offset current — against a constant.

The two limits together are the whole trade in two numbers: above the knee and well above it, balancing is worth a factor of ten in a constant and costs a factor of √2 in a density, whatever the design. Neither number can be improved by anything the designer of the feedback network does, because by then the feedback network is the source.

Which leaves the trade where the rung below left it, and for a reason that is now measured rather than argued. The offset removed is a constant that can be measured once and subtracted — by a trim, by a calibration cycle, by a digital correction — and what remains of it is its drift. The noise added by a resistance cannot be subtracted at all, and neither can the shot noise the bias current itself carries, which passes the source resistor’s own thermal noise beyond 1.00 MΩ for a fifty-nanoamp part. That boundary is 2kT/qI2kT/qI, which is a resistance only because a current was divided into a voltage: the voltage is 49.98 millivolts at 290 kelvin and has no resistance in it at all.

Where the knee falls in circuits people build

909 ohms sounds like a boundary a design would rarely be near, and the opposite is true: almost every circuit in which input current matters is above it, and almost every circuit in which it does not is below.

A feedback divider is sized by two pressures that both push it down. The bottom resistor and the feedback resistor together load the output, so a stage driving them at full swing wants them large; but every one of them is a noise source and forms a pole with the summing node’s own capacitance, so a stage that has to be quiet or fast wants them small. The result across this collection is a kilohm to a few tens of kilohms almost everywhere, which puts the knee between a few hundred ohms and ten kilohms.

And the sources that make input current a problem are not near that at all. A pH electrode is hundreds of megohms. A photodiode with no shunt is a gigohm. A thermocouple through a broken-guarded terminal block is whatever the flux residue decided. A strain-gauge bridge is 350 Ω and is genuinely below the knee, which is why bridges never need any of this. A high-impedance divider in front of a voltmeter, at ten megohms, is four orders above it.

So the case the textbook draws — a resistor in series with the source, the cheap version — is the case in which the cure was not needed, and the case in which it is needed is the one the drawing does not show. That inversion is worth carrying on its own, because it is why the instruction reads as cheap: it is usually illustrated in the regime where it is.

The bandwidth the instruction warns about, given a test

The rung below asserted a third cost and did not measure it: a megohm in the feedback path forms a pole with the amplifier’s own input capacitance and with the board’s stray, and makes the circuit’s bandwidth depend on a capacitance nobody specified. It is exactly the kind of claim this collection is supposed to give a test it could fail, so here is one — a capacitance at the summing node, a real amplifier of a megahertz, and the closed-loop response solved before and after the cure.

At 15 pF the cure costs no bandwidth at all — it gains 43%computed by solving, not by drawing. The closed-loop response of the same stage before and after balancing, with 15 pF at the summing node and a 30 kΩ source. Balancing scales the feedback network until the inverting input looks back into 30 kΩ instead of 909 Ω, and the instruction that comes with it warns about the pole that makes. At this capacitance the bandwidth goes the other way — 91.22 kHz becomes 130.00 kHz — with 0.000 dB of peaking. The warning is a statement about a product rather than about a resistance: three decibels of peaking arrives at 55.3 pF, against the 58.4 pF that puts the feedback factor's own corner at the frequency a 1 MHz amplifier behind a gain of 11 runs out. The unbalanced circuit peaks at none of it, because the resistance its inverting input looks back into is 909 Ω whatever the source is.-24-18-12-6061k10k100k1Mfrequency (hertz)gain, relative to direct current (dB)bare: 91 kHzbalanced: 130 kHzas it was, and balancedsource30 kΩat the summing node15 pFit looked back into909 Ω…now30 kΩbandwidth91.2 kHz…now130.0 kHzpeaking0.00 dB3 dB of it at55.3 pF…arithmetic says58.4 pFsolved, then checked — a warning, given a test3 dB of peaking at 55.3 pF
Fig. 6 The response of the same stage with a thirty-kilohm source, before and after balancing, with fifteen picofarads at the summing node. Balancing takes the inverting input from 909 Ω to 30 kΩ, and the bandwidth goes from 91.2 kHz to 130.0 kHz with no peaking at all. Drag it through the capacitance and watch the price arrive.

At fifteen picofarads the warning is not merely absent, it points the wrong way: the scaled network is forty-three per cent wider, because the summing node’s capacitance now works against a resistance two orders larger and lifts the feedback factor’s phase before the loop has run out of gain. The unbalanced circuit does not move at any capacitance drawn, since the resistance its inverting input looks back into is 909 Ω whatever the source is.

The warning is right, though, and what it is right about is a product rather than a resistance. Peaking arrives when the corner at 1/2πRmC1/2\pi R_m C falls below the frequency at which the amplifier has no gain left to give away, which is GBW/G\mathrm{GBW}/G. Setting the two equal names a capacitance, G/(2πGBWRm)G/(2\pi\,\mathrm{GBW}\,R_m), and at a thirty-kilohm source that is 58.4 pF. Bisected on the solved response, three decibels of peaking arrives at 55.3 pF — five per cent apart, from an arithmetic that never solves a network and a network that never mentions a phase margin.

So the instruction’s third clause is a statement with a boundary in it, and the boundary contains the source only through RmR_m. Fifteen picofarads of amplifier and board at thirty kilohms is nowhere near it. Sixty picofarads — an amplifier in a socket, a length of coaxial screen brought to the summing node, a guard ring driven from the wrong place — is past it, and the same cure that cost nothing at all now costs 3.49 decibels of peaking and the phase margin that goes with it. The repair for that is a capacitor across the feedback resistor, which is the resistor that buys the margin back arriving from the other side of the same trade, and it costs the bandwidth the scaling had just given.

What it does not say

It does not say the scaled network is always buildable. At a gain of eleven and a megohm of source it asks for 11 MΩ, which is an ordinary part with an extraordinary temperature coefficient. At a gain of a thousand and one it asks for 1001 MΩ, which is not a resistor anybody stocks, and the honest reading of that is not that the cure is expensive but that it is unavailable — the design has to change the gain or the architecture rather than the resistor.

The cure changes shape at 999 Ω, which is a property of the feedback network and of nothing else. computed by solving, not by drawing. What balancing actually does to the circuit, against the source resistance it is done for, at a gain of 1001 with a 1.0 kΩ bottom resistor. The inverting input looks back into 999 Ω — the bottom resistor times (G−1)/G — and that number is the whole of the knee. Below it the cure is a resistor in series with the source and the feedback network is untouched. Above it there is no resistor to add, and the network is scaled up to meet the source instead: 1001× at 1.0 MΩ, which puts 1001 MΩ in the feedback path. The scaled feedback resistor is the source resistance times the gain exactly, so the network's own size has left the answer — it decided where the knee was and nothing after it.
Fig. 7 A gain of a thousand and one. The knee has moved by ten per cent, to 999 Ω, because it is the bottom resistor times (G−1)/G and that fraction is already nearly one. The feedback resistor has moved by two orders: 1001 MΩ for a megohm source, against 11 MΩ at a gain of eleven.

It does not say the offset itself is always defined. With no direct-current path at the input — a coupling capacitor, a transformer, a photodiode with no shunt — the node’s potential is not determined by the network and the nodal matrix is singular, which is the refusal that essay is built on rather than a large number.

And it does not say the amplifier is the one modelled. The response above is a one-pole macro-model with a hundred decibels of open-loop gain, which is the amplifier the ideal one stops being at a stated frequency. A faster amplifier reaches the peaking boundary at a proportionally smaller capacitance — ten megahertz puts it at 5.8 pF, which is the amplifier’s own input capacitance and nothing else — so the clause the instruction attaches to a megohm is really attached to a gain–bandwidth product.

Where this sits beside the rest of the field

The current the amplifier’s own inputs demand is one of two currents at that node, and the other one does not come from the amplifier at all: it comes across the board, and the current that never reaches the input puts the laminate into the netlist and drives a guard ring with the same loop gain this stage is using for its own feedback. That current has no cure of this shape, because there is no second resistance to make equal to it.

The other neighbour is the instrument this field spends four rungs on, where two of four errors are divided by the gain and two are not and the design question is again which quantity a chosen number is allowed to move. The shapes rhyme: a lever that looks like a free choice turns out to be pinned by something outside the part, and finding where it is pinned is more useful than optimising it.

The number worth carrying

909 ohms, and √2.

The first is where one instruction becomes two circuits, and it is the feedback divider’s bottom resistor times (G1)/G(G-1)/G — a number a designer chose, usually for reasons that had nothing to do with input current.

The second is what the cure costs at the floor once the source is large, and it cannot be moved by anything, because above the knee the balanced circuit is the source’s circuit and not the designer’s.

The habit that goes with it is the one every model has an edge states generally. An instruction phrased as an equality — make these two equal — hides which of the two is being moved, and the two answers are different circuits with different costs. Solving it once is cheap, and what comes back is not a correction to the instruction but a boundary inside it.

Part 2 on input bias current

One argument about Input bias current, and one of 2 essays on it so far, each part numbered by how much of the idea it assumes. What sits either side of it:

The objects named here

The third axis, after the field and the idea: the things themselves, and every essay that touches each one.

Design tradeoffInput bias currentInput capacitanceJohnson noiseModel rangeNoise gainOffset voltagePhase marginShot noiseSource impedance