Gain margin — where it appears
Named by 7 essays across 3 fields — each of them below, with the objects they name alongside it.
What is left at crossover
A feedback loop is stable or not according to one number read at one frequency — how much phase remains before −180° at the point where the loop gain passes unity. The loop gain here is obtained the way it is obtained on a bench: cut the loop, drive one side of the cut, and measure what comes back to the other.
The straight lines, and where they are not the curve
Two straight lines through a corner is the most-used approximation in this subject and almost the only one with no number attached. It has one, and it is exact: at a single real pole the sketch is 3.0103 decibels high at the corner and nowhere worse, and its error is the same a factor above the corner as the same factor below — a symmetry the construction does not suggest. A pole pair has no such bound at all, and the best any two-slope sketch can do on one is 0.770 decibels, at a quality factor of 0.9152.
The loop that never crosses
Every loop this field draws carries two margins, and one of them is not always a number. Take the third pole out of the standard loop and its crossover moves by 2.45 parts per million and its phase margin by 0.164 degrees — the third pole's own arctangent there, to five decimal places — while its gain margin goes from 46.06 decibels to no number at all. The phase reaches −180° only where the magnitude has already reached −62 decibels, and the two instruments that are supposed to notice report 3.19 × 10⁻⁶ either way.
The gain margin the straight lines get exactly wrong
A phase margin read off the straight lines is wrong by an amount that depends on where the loop crosses unity. A gain margin read off them is not: for an integrator and a pole pair the phase passes −180° at the pair's own frequency whatever the gain, and the lines are out there by exactly 20 log Q — 6.0206 dB for two real poles, 13.98 dB at a quality factor of five, at every integrator gain drawn. The stability condition for the loop turns out to be the same inequality: it is stable exactly when the gain margin the lines report exceeds that error.
The root a ring of equal stages takes
Two coincident poles separate as the square root of whatever splits them; three as the cube root; m as the m-th. In a loop of m equal lags closed by a gain k, the m-fold pole leaves along an m-pointed star, each point the m-th root of k from where it started — fitted exponents 1.0000, 0.5000, 0.3333 and 0.2500 over six decades — so a loop gain of a hundredth moves a triple pole 21.5% of its frequency where a single lag would move 1%. The star's nearest points reach the imaginary axis at k = secᵐ(π/m): 8 for three lags, 4 for four, 1.884 for eight, falling towards one. Staggering three lags by a factor of four raises the gain they tolerate from 8 to 26.6, and at the same gain cuts a step's overshoot from 53.9% to 20.6% — or, at the same gain margin, buys nothing.
One margin, and the gain under it
A phase margin of 45° is quoted as an overshoot of 23 per cent, and on a loop with plenty of gain below its crossover it is: three lags a hundredfold apart, closed at 45°, overshoot 23.6%. Bring the same three lags together and the loop reaches 45° at a loop gain of 2.83 instead of 141, and overshoots 41.0% — the same margin, 1.73 times the ringing. The closed-loop peak follows the overshoot where the margin does not: predicted from the peak the worst error over 27 loops is 3.1 points, from the margin 22.2. The gain margin moves with it, from 37.2 dB to 9.0.
The margin a delay spends
A phase margin can be made of a lag or of a delay, and the number is the same either way. Forty-five degrees from a lag overshoots 23.3 per cent, and forty-five degrees from a delay overshoots 28.7; at sixty degrees the sign reverses, 8.77 against 5.57, and the two cross near 54 degrees. The overshoot is the smaller difference. A two-pole loop's gain margin has no limit at all, and five per cent of its extra lag as delay brings that to 25.5 dB; with all of it delay the gain margin is 90°/(90° − margin), which is 6.0 dB at 45°, and nothing else is in the expression. Across twenty-one such loops the margin alone misses the overshoot by 13.1 points. The closed-loop peak, which already reads the whole band, misses by 1.2.
Named alongside it
The objects these essays reach for when they reach for this one.
Loop gainModel rangePhase marginDamping ratioOvershootSecond-order approximationStabilityAsymptotic approximationBode plotClosed-loop responseThe quality factorBisection